Asst.Prof.Dr., Fırat Altun, was born in Diyarbakır, Turkiye, and began his formal musical education at the Diyarbakır Anatolian Fine Arts High School, where he cultivated his foundational skills in music. His academic journey continued with a Bachelor’s degree in Music Education, during which he engaged deeply with the polyphonic traditions of Turkish music, advanced his technical and performance skills on the cello, and developed a rigorous understanding of choral conducting and aural skills. After completing his undergraduate studies, Fırat Altun furthered his academic pursuits with a Master’s degree in Music Education. His scholarly path then led him to the University of York at the United Kingdom, where he was awarded a competitive scholarship to undertake doctoral research at a leading institution in Music. His doctoral studies encompassed interdisciplinary research in music cognition and affective response, advanced compositional techniques, and ear training. In addition to his academic endeavors, he actively contributed as a cellist to various performances with symphony and chamber orchestras. Fırat Altun’s research interests lie at the intersection of music perception and cognition, composition, and performance, with a particular focus on the cognitive and cultural dynamics of musical structure. His work contributes to a deeper understanding of how music is perceived, composed, and performed across different cultural contexts.
Affiliation: Harran University, Education Faculty, Fine Art Department, Şanlıurfa, Turkiye. Email: firataltun@harran.edu.tr ORCID: 0000-0002-2435-4909
ResearchGate: https://www.researchgate.net/profile/Firat-Altun
Academiaedu: https://york.academia.edu/FıratALTUN
GoogleScholar: https://scholar.google.com/citations?user=eAhY16YAAAAJ&hl=tr 

Krenar Doli was born in Gjakova on 14.02.1985. He graduated the primary and secondary school in his birthplace. In 2007, he completed his bachelor studies at the Academy of Arts, Faculty of Music, Branch of Musicology in Tirana. In 2014 he completed the Master of Science at the Center for Albanological Studies at the Institute of Cultural Anthropology and Art Study in Ethnology-Folklore department, with focus on Ethnomusicology. In 2021 he completed Doctoral Degree, at Ankara Haci Bayram Veli University, at the Institute of Social Sciences (Turkish Folklore program) in Ankara. He works at The Institute of Albanology in Prishtina, Branch of Folklore, Section of Ethno-musicology. He deals with different musical practices of the Balkan area, with music and with multilateral connections in the artistic and socio-cultural spheres.

So far, he has published the following writings:

1.“Muzika në reflekset e kohës”, përmbledhje punimesh, “Erpoprint”, Gjakovë, 2007. (“Music in the Reflections of Time”, a collection of publications. “Erpoprint”, Gjakova, 2007.
2.“Gjakova brenda muzikës”, monografi, “Erpoprint”, Gjakovë, 2010. (“Gjakova inside music”, monograph. “Erpoprint”, Gjakova, 2010.)
3.“Dasma në qytetin e Gjakovës”. monografi, Instituti Albanologjik, Prishtinë, 2015. (“Wedding in the town of Gjakova”. Monograph, The Institute of Albanology, Prishtina, 2015.
4. “Tradita e muzikës sufiste në Kosovë”, monografi, Instituti Albanologjik, Prishtinë, 2022. (“Tradition sufi music in Kosova”), Monograph, The Institute of Albanology, Prishtina, 2022.

Vesna Svalina, Ph.D. (1968) is an associate professor in the field of music education and president of the Music Subdepartment at the Faculty of Teacher Education, University of Josip Juraj Strossmayer in Osijek. Since 2020, she has also been working at the University of Slavonski Brod at the Department of Social Sciences and Humanities. She graduated from the study program of music pedagogy of the University of Osijek (Faculty of Education) in 1991. She holds a Master of Music Education degree from the University of Zagreb (Music Academy, 2009) and a doctoral degree in early education and compulsory education from the Faculty of Teacher Education of the University of Zagreb (2013). She is the author of thirty one scientific papers and one book. Her scientific interest is focused on the music education curriculum, competencies for teaching at the primary level of education, musical creativity, extracurricular music activities, and education of gifted children. She participated in numerous international scientific conferences at home and abroad. From 2015 to 2016 she was head of the scientific research project Listening to music as an important subject area in the primary music curriculum. From 2009 to 2013 she was involved in the project Development of Creativity in Lifelong Teacher Education, and from 2018 to 2021 in the project Giftedness in the Artistic Field - Analysis of the Situation Among Primary School Pupils in Terms of Artistic and Musical Giftedness. From 2015 to 2018 she was managing editor of the journal Life and School. In September 2021, she became a member of the editorial board of the journal SN Social Sciences and International Journal of Psychological and Brain Sciences. She has also given numerous concerts with the choirs, both in Croatia and abroad (Italy, Germany, Austria, Slovenia, Switzerland). She won numerous first prizes, both nationally and internationally, at different choir competitions (11 first prizes at national and 7 at international competitions). She also won three special prizes: for the best performance of the compulsory song, for the best interpretation of the song composed by a Croatian composer, and for the artistically most convincing conductor.

Gvantsa Ghvinjilia is a musicologist, Ph.D., Doctor of Art Studies, and Associate Professor in the Department of Music History at the Tbilisi State Conservatoire, where she also serves as Head of the Dissertation Board. She is Editor-in-Chief of the Journal of Music Theory and Transcultural Music Studies (JMTTMS) and a member of the Georgian Composer’s Union. In addition, she holds a guest senior lecturer position at Shota Rustaveli Theatre and Cinema Tbilisi State University. Dr. Ghvinjilia was a jury member for the prestigious Tsinandali Awards in 2022 and has been awarded scholarships from both the President of Georgia and the Zakaria Paliashvili Fund. From 2006 to 2013, she held the roles of PR Manager and Head of the Literary Department at the Tbilisi Zakaria Paliashvili Opera and Ballet State Theatre. Between 2021 and 2023, she participated in the Erasmus+ Mobility Exchange Program in Belgium, France, and Poland. She has delivered public lectures in Georgia, Belgium, Poland, and Ukraine and is a frequent contributor to Georgian television and radio as a speaker and commentator. As a music critic, she regularly writes for leading Georgian periodicals and actively participates in national and international academic conferences. Her research interests encompass the religion and music, transcultural studies, multimedia and eco music, musical culture and transhumanism.

ORCID: 0000-0003-3452-4876
Email- gvantsa.ghvinjilia@tsc.edu.ge

Web site: https://gvantsaghvinjilia.com/ 
Web: https://tsc.edu.ge/en/academic-staff/ 
Youtube: https://www.youtube.com/@gvantsaghvinjilia733/featured

Vildan IŞIK is an artist and scholar whose work explores the dynamic intersections of painting, holography, visual culture, and emerging technologies. Born in Osmaniye in 1973, she graduated from Dokuz Eylül University’s Faculty of Fine Arts, Department of Painting in 2000 with a thesis titled “The Problematic of Chance and Coincidence in the 20th Century.” She later obtained her master’s degree in 2006 from the Institute of Social Sciences at Cumhuriyet University, where her thesis—“Art Debates in Turkish Painting between 1930–1970 and the Artist at the Centre of the Debates: Bedri Rahmi Eyüboğlu”—focused on the role of Eyüboğlu in shaping critical discourse within modern Turkish art.

Her academic and artistic journey has consistently bridged theory and practice. In 2012, she conducted research on holography in Seoul, South Korea, which laid the groundwork for her subsequent doctoral thesis entitled “Holography as a Medium of Artistic Expression”, completed at Gazi University’s Institute of Fine Arts in 2013. This study culminated in a curated exhibition that explored the relationship between holography, painting, and photography. She earned her proficiency in art (the equivalent of a doctoral degree) and was awarded the title of Associate Professor in 2016.

Since then, she has been serving as a faculty member at Düzce University’s Faculty of Art, Design, and Architecture, the Department of Basic Art Sciences. Prior to her current appointment, she held various academic and institutional positions between 1999 and 2014.

Dr. Işık’s research and artistic practice center on the evolving relationship between art and digital media, with particular emphasis on artificial intelligence, iconography, and interdisciplinary aesthetics. She has published extensively in peer-reviewed journals and presented her work at numerous international conferences on art and design.

Her recent solo exhibitions, Urban Mutation (2024) and Holographic AI Glitch (2025), engage with themes such as algorithmic error, glitch aesthetics, and urban transformation. Through a practice that integrates critical theory, technological experimentation, and visual inquiry, Vildan IŞIK continues to make a multifaceted contribution to contemporary visual culture as both a researcher and an artist.