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Feminisms and Feminist Cultural Studies:

Yıl 2025, Cilt: 10 Sayı: 2, 1095 - 1110, 31.08.2025
https://doi.org/10.29110/soylemdergi.1702942

Öz

Abstract

This paper surveys the evolution and diversity of feminist cultural studies, emphasizing the multiplicity of feminist theories and their engagement with the politics of discourse and representation. Drawing on foundational typologies and key debates, it explores how feminist thought has interrogated the production of knowledge, the situatedness of experience, and the intersectional dynamics of power, identity, and culture. The discussion traces the historical development of feminist cultural studies from its radical, interdisciplinary origins in the 1960s and 1970s to its institutionalization and transformation in the 2000s. It highlights the methodological innovations and critical interventions that have shaped the field, including standpoint theory, discourse analysis, and the critique of patriarchal and neoliberal ideologies in media and popular culture. The article also addresses the challenges and limitations faced by feminist cultural studies, such as the marginalization of race and the depoliticization of feminist critique, while considering the ongoing relevance of feminist perspectives in contemporary cultural analysis. Ultimately, the article argues for the continued importance of reflexive, context-sensitive, and transformative feminist methodologies in understanding and contesting the cultural production of gendered and intersecting inequalities.

Bu çalışma, feminist kültürel çalışmaların evrimini ve çeşitliliğini inceleyerek, feminist kuramların çokluğunu ve söylem ile temsil politikalarına olan ilgisini vurgulamaktadır. Temel tipolojilerden ve önemli tartışmalardan yola çıkarak, feminist düşüncenin bilgi üretimini, deneyimin bağlamsallığını ve güç, kimlik ve kültürün kesişimsel dinamiklerini nasıl sorguladığını ele almaktadır. Tartışma, feminist kültürel çalışmaların 1960’lar ve 1970’lerdeki radikal, disiplinlerarası kökenlerinden başlayarak, 2000’lerdeki kurumsallaşma ve dönüşüm sürecine kadar olan tarihsel gelişimini izlemektedir. Alanı şekillendiren yöntemsel yenilikler ve eleştirel müdahaleler arasında duruş noktası kuramı, söylem analizi ve medya ile popüler kültürdeki ataerkil ve neoliberal ideolojilerin eleştirisi öne çıkarılmaktadır. Makalede ayrıca, feminist kültürel çalışmaların karşılaştığı ırkın marjinalleşmesi ve feminist eleştirinin siyasetsizleşmesi gibi zorluklar ve sınırlılıklar ele alınmakta; feminist bakış açılarının çağdaş kültürel analizdeki süregelen önemine de değinilmektedir. Sonuç olarak, makale, toplumsal cinsiyete dayalı ve kesişen eşitsizliklerin kültürel üretimini anlamada ve bunlara karşı çıkmada, düşünümsel, bağlama duyarlı ve dönüştürücü feminist metodolojilerin devam eden önemini ele almaktadır.

Kaynakça

  • Abbott, Pamela et al. (2005). An Introduction to Sociology: Feminist Perspectives. (3rd edition). London: Routledge.
  • Ahmed, Sara (2004). The Cultural Politics of Emotion. London: Routledge.
  • Ahmed, Sara (2012). On Being Included: Racism and Diversity in Institutional Life. Durham & London: Duke University Press.
  • Ang, Ien (1985). Watching Dallas: Soap Opera and the Melodramatic Imagination. London: Routledge.
  • Ang, Ien (1996). Living Room Wars: Rethinking Media Audiences. London: Routledge.
  • Balsamo, Ann (1991). “Feminism and Cultural Studies”. The Journal of the Midwest Modern Language Association: Cultural Studies and New Historicism, 24(1), 50-73. https://doi.org/10.2307/1315025
  • Barrett, Michèle (1980). Women's Oppression Today: Problems in Marxist Feminist Analysis. NY: Verso.
  • Barrett, Michèle (1982), “Feminism and the Definition of Cultural Politics”, in Feminism, Culture and Politics, (Eds. Rosalind Brunt and Caroline Rowan). London: Lawrence & Wishart.
  • Brunsdon, Charlotte (2005). “A thief in the night: Stories of feminism in the 1970s at CCCS”. In Stuart Hall: Critical Dialogues in Cultural Studies. (Eds. David Morley & Kuan-Hsing Chen) 275-285. London: Routledge.
  • Carby, Hazel V. (2005). “White Woman, Listen! Black Feminism and the Boundaries of Sisterhood.” In The Empire Strikes Back: Race and Racism in 70s Britain, Centre for Contemporary Cultural Studies. 211–234, NY: Routledge.
  • Campbell, Rebecca & Sharon Wasco (2000). “Feminist Approaches to Social Science: Epistemological and Methodological Tenets”, American Journal of Community Psychology, 28 (6).
  • Foucault, Michel (1991). Politics and the study of discourse. In The Foucault Effect: Studies in Governmentality, (Eds. G. Burchell, C. Gordon, & P. Miller), 53–72. Chicago: University of Chicago Press.
  • Franklin, Sarah et al. (1991). “Feminism and Cultural Studies.” Media, Culture and Society, 13, 171-192.
  • Gamble, Sarah (Ed.) (2001). The Routledge Companion to Feminism and Postfeminism. Routledge.
  • Gill, Rosalind (2007). “Postfeminist Media Culture: Elements of a Sensibility”. European Journal of Cultural Studies, 10 (2), 147–166. https://doi.org/10.1177/1367549407075898
  • Hall, Stuart (2019). “Notes on Deconstructing the Popular”. In Essential Essays Volume 1: Foundations of Cultural Studies, (Ed. David Morley), 347-361. Durham & London: Duke University Press.
  • Haraway, Donna (1985, 1991). Simians, Cyborgs, and Women: The Reinvention of Nature. NY: Routledge.
  • Harraway, Donna (2024). “Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Persepective”. In The Feminist Standpoint Theory Reader: Intellectual and Political Controversies, (Ed. Sandra Harding), 81-101. NY: Routledge
  • Harding, Sandra (2004). “Introduction: Standpoint Theory as a Site of Political, Philosophic, and Scientific Debate”. In The Feminist Standpoint Theory Reader: Intellectual and Political Controversies, (Ed. Sandra Harding), 1-15. NY: Routledge.
  • Humm, Maggie (1994). A Reader’s Guide to Contemporary Feminist Literary Criticism. London: Harvester Wheatsheaf.
  • Humm, Maggie (2003). The Dictionary of Feminist Theory. Edinburgh: Edinburgh University Press.
  • Lather, Patti (1991). Getting smart: Feminist research and pedagogy with/in the postmodern. Routledge.
  • Lazar, Michelle M. (2017). “Feminist Critical Discourse Analysis”. In The Routledge Handbook of Critical Discourse Studies, (Eds. John Flowerdew and John E. Richardson), 372-887. Routledge.
  • Lengermann, Patricia M., & Gillian Niebrugge, (2022). “Contemporary Feminist Theories”. In Contemporary Sociological Theory and its Classical Roots (6th ed.), George Ritzer & J.N. Stepnisky (eds.), 217-256. London: Sage Publications.
  • Meagher, Michelle (2007). “Feminist Cultural Studies.” In Encylopedia of Social Theory, George Ritzer (ed.). London: Sage Publications.
  • McRobbie, Angela (2009). The Aftermath of Feminism: Gender, Culture and Social Change. London: Sage Publications.
  • Milestone, Katie & Anneke Meyer (2016). Gender and Popular Culture. Cambridge: Polity Press.
  • Millett, Kate (1970). Sexual Politics. Doubleday.
  • Milner, A. (2003). Literature, Culture and Society (2nd ed.). London: UCL Press.
  • Mitchell, Juliette (1974). Psychoanalysis and Feminism: Freud, Reich, Laing and Women. NY: Pantheon Books.
  • Modleski, Tania (1986). Studies in Entertainment: Critical Approaches to Mass Culture (Theories of Contemporary Culture). Bloomington: Indiana University Press.
  • Modleski, Tania (1991). Feminism Without Women Culture and Criticism in a "Postfeminist" Age. London & NY: Routledge.
  • Parla, Jale (2005). Kadınlar, Edebiyat, Dil: Eleştirel Bir Antoloji. Ankara: İletişim Yayınları.
  • Radway, Janice (1991). Reading the Romance: Women, Patriarchy, and Popular Literature. Chapel Hill: University of South Carolina Press.
  • Rakow, Lana F. (2006). “Feminist Approaches to Popular Culture: Giving Patriarchy its Due”. In Cultural Theory and Popular Culture: A Reader, (Ed. John Storey) 199–214. New Jersey: Pearson Prentice Hall.
  • Ramazanoğlu, Caroline, & Janet Holland (2002). Feminist Methodology: Challenges and Choices. Thousand Oaks: Sage Publications.
  • Ransom, Jane (1993). “Feminism, Difference and Discourse: The limits of discursive analysis for feminism”. In Up Against Foucault: Explorations of Some Tensions Between Foucault and Feminism (Ed. Caroline Ramazanoğlu), 123–146. London: Routledge.
  • Rodman, Gilbert. (2015). Why Cultural Studies? Boston & Oxford: Wiley-Blackwell.
  • Skeggs, Beverly (1995). Feminist Cultural Theory: Process and Production. Manchester: Manchester University Press.
  • Storey, John (2008). Cultural Theory and Popular Culture: An Introduction (5th ed.). Pearson Education.
  • van Zoonen, Liesbet (2006). Feminist Media Studies. In Mass Media and Society (4th ed.). (Eds. J. Curran & M. Gurevitch), 135–154. London: Hodder Arnold.
  • Women’s Studies Group, Centre for Contemporary Cultural Studies (1978). Women Take Issue: Aspects of Women’s Subordination. London: Hutchinson Press.
  • Woolf, Virginia (1929). A Room of One’s Own. London: Hogarth Press.

Feminisms and Feminist Cultural Studies

Yıl 2025, Cilt: 10 Sayı: 2, 1095 - 1110, 31.08.2025
https://doi.org/10.29110/soylemdergi.1702942

Öz

This paper surveys the evolution and diversity of feminist cultural studies, emphasizing the multiplicity of feminist theories and their engagement with the politics of discourse and representation. Drawing on foundational typologies and key debates, it explores how feminist thought has interrogated knowledge production, the situatedness of experience, and the intersectional dynamics of power, identity, and culture. The discussion traces the historical development of feminist cultural studies from its radical, interdisciplinary origins in the 1960s and 1970s to its institutionalization and transformation in the 2000s. It highlights the methodological innovations and critical interventions that have shaped the field, including standpoint theory, discourse analysis, and the critique of patriarchal and neoliberal ideologies in media and popular culture. Ultimately, the article argues for the continued importance of reflexive, context-sensitive, and transformative feminist methodologies in understanding and contesting the cultural production of gendered and intersecting inequalities.

Bu çalışma, feminist kültürel çalışmaların evrimini ve çeşitliliğini inceleyerek, feminist kuramların çokluğunu ve söylem ile temsil politikalarına olan ilgisini vurgulamaktadır. Temel tipolojilerden ve önemli tartışmalardan yola çıkarak, feminist düşüncenin bilgi üretimini, deneyimin bağlamsallığını ve güç, kimlik ve kültürün kesişimsel dinamiklerini nasıl sorguladığını ele almaktadır. Tartışma, feminist kültürel çalışmaların 1960’lar ve 1970’lerdeki radikal, disiplinlerarası kökenlerinden başlayarak, 2000’lerdeki kurumsallaşma ve dönüşüm sürecine kadar olan tarihsel gelişimini izlemektedir. Alanı şekillendiren yöntemsel yenilikler ve eleştirel müdahaleler arasında duruş noktası kuramı, söylem analizi ve medya ile popüler kültürdeki ataerkil ve neoliberal ideolojilerin eleştirisi öne çıkarılmaktadır. Sonuç olarak, makale, toplumsal cinsiyete dayalı ve kesişen eşitsizliklerin kültürel üretimini anlamada ve bunlara karşı çıkmada, düşünümsel, bağlama duyarlı ve dönüştürücü feminist metodolojilerin devam eden önemini ele almaktadır.

Etik Beyan

Herhangi bir proje kapsamında yazılmamıştır.

Kaynakça

  • Abbott, Pamela et al. (2005). An Introduction to Sociology: Feminist Perspectives. (3rd edition). London: Routledge.
  • Ahmed, Sara (2004). The Cultural Politics of Emotion. London: Routledge.
  • Ahmed, Sara (2012). On Being Included: Racism and Diversity in Institutional Life. Durham & London: Duke University Press.
  • Ang, Ien (1985). Watching Dallas: Soap Opera and the Melodramatic Imagination. London: Routledge.
  • Ang, Ien (1996). Living Room Wars: Rethinking Media Audiences. London: Routledge.
  • Balsamo, Ann (1991). “Feminism and Cultural Studies”. The Journal of the Midwest Modern Language Association: Cultural Studies and New Historicism, 24(1), 50-73. https://doi.org/10.2307/1315025
  • Barrett, Michèle (1980). Women's Oppression Today: Problems in Marxist Feminist Analysis. NY: Verso.
  • Barrett, Michèle (1982), “Feminism and the Definition of Cultural Politics”, in Feminism, Culture and Politics, (Eds. Rosalind Brunt and Caroline Rowan). London: Lawrence & Wishart.
  • Brunsdon, Charlotte (2005). “A thief in the night: Stories of feminism in the 1970s at CCCS”. In Stuart Hall: Critical Dialogues in Cultural Studies. (Eds. David Morley & Kuan-Hsing Chen) 275-285. London: Routledge.
  • Carby, Hazel V. (2005). “White Woman, Listen! Black Feminism and the Boundaries of Sisterhood.” In The Empire Strikes Back: Race and Racism in 70s Britain, Centre for Contemporary Cultural Studies. 211–234, NY: Routledge.
  • Campbell, Rebecca & Sharon Wasco (2000). “Feminist Approaches to Social Science: Epistemological and Methodological Tenets”, American Journal of Community Psychology, 28 (6).
  • Foucault, Michel (1991). Politics and the study of discourse. In The Foucault Effect: Studies in Governmentality, (Eds. G. Burchell, C. Gordon, & P. Miller), 53–72. Chicago: University of Chicago Press.
  • Franklin, Sarah et al. (1991). “Feminism and Cultural Studies.” Media, Culture and Society, 13, 171-192.
  • Gamble, Sarah (Ed.) (2001). The Routledge Companion to Feminism and Postfeminism. Routledge.
  • Gill, Rosalind (2007). “Postfeminist Media Culture: Elements of a Sensibility”. European Journal of Cultural Studies, 10 (2), 147–166. https://doi.org/10.1177/1367549407075898
  • Hall, Stuart (2019). “Notes on Deconstructing the Popular”. In Essential Essays Volume 1: Foundations of Cultural Studies, (Ed. David Morley), 347-361. Durham & London: Duke University Press.
  • Haraway, Donna (1985, 1991). Simians, Cyborgs, and Women: The Reinvention of Nature. NY: Routledge.
  • Harraway, Donna (2024). “Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Persepective”. In The Feminist Standpoint Theory Reader: Intellectual and Political Controversies, (Ed. Sandra Harding), 81-101. NY: Routledge
  • Harding, Sandra (2004). “Introduction: Standpoint Theory as a Site of Political, Philosophic, and Scientific Debate”. In The Feminist Standpoint Theory Reader: Intellectual and Political Controversies, (Ed. Sandra Harding), 1-15. NY: Routledge.
  • Humm, Maggie (1994). A Reader’s Guide to Contemporary Feminist Literary Criticism. London: Harvester Wheatsheaf.
  • Humm, Maggie (2003). The Dictionary of Feminist Theory. Edinburgh: Edinburgh University Press.
  • Lather, Patti (1991). Getting smart: Feminist research and pedagogy with/in the postmodern. Routledge.
  • Lazar, Michelle M. (2017). “Feminist Critical Discourse Analysis”. In The Routledge Handbook of Critical Discourse Studies, (Eds. John Flowerdew and John E. Richardson), 372-887. Routledge.
  • Lengermann, Patricia M., & Gillian Niebrugge, (2022). “Contemporary Feminist Theories”. In Contemporary Sociological Theory and its Classical Roots (6th ed.), George Ritzer & J.N. Stepnisky (eds.), 217-256. London: Sage Publications.
  • Meagher, Michelle (2007). “Feminist Cultural Studies.” In Encylopedia of Social Theory, George Ritzer (ed.). London: Sage Publications.
  • McRobbie, Angela (2009). The Aftermath of Feminism: Gender, Culture and Social Change. London: Sage Publications.
  • Milestone, Katie & Anneke Meyer (2016). Gender and Popular Culture. Cambridge: Polity Press.
  • Millett, Kate (1970). Sexual Politics. Doubleday.
  • Milner, A. (2003). Literature, Culture and Society (2nd ed.). London: UCL Press.
  • Mitchell, Juliette (1974). Psychoanalysis and Feminism: Freud, Reich, Laing and Women. NY: Pantheon Books.
  • Modleski, Tania (1986). Studies in Entertainment: Critical Approaches to Mass Culture (Theories of Contemporary Culture). Bloomington: Indiana University Press.
  • Modleski, Tania (1991). Feminism Without Women Culture and Criticism in a "Postfeminist" Age. London & NY: Routledge.
  • Parla, Jale (2005). Kadınlar, Edebiyat, Dil: Eleştirel Bir Antoloji. Ankara: İletişim Yayınları.
  • Radway, Janice (1991). Reading the Romance: Women, Patriarchy, and Popular Literature. Chapel Hill: University of South Carolina Press.
  • Rakow, Lana F. (2006). “Feminist Approaches to Popular Culture: Giving Patriarchy its Due”. In Cultural Theory and Popular Culture: A Reader, (Ed. John Storey) 199–214. New Jersey: Pearson Prentice Hall.
  • Ramazanoğlu, Caroline, & Janet Holland (2002). Feminist Methodology: Challenges and Choices. Thousand Oaks: Sage Publications.
  • Ransom, Jane (1993). “Feminism, Difference and Discourse: The limits of discursive analysis for feminism”. In Up Against Foucault: Explorations of Some Tensions Between Foucault and Feminism (Ed. Caroline Ramazanoğlu), 123–146. London: Routledge.
  • Rodman, Gilbert. (2015). Why Cultural Studies? Boston & Oxford: Wiley-Blackwell.
  • Skeggs, Beverly (1995). Feminist Cultural Theory: Process and Production. Manchester: Manchester University Press.
  • Storey, John (2008). Cultural Theory and Popular Culture: An Introduction (5th ed.). Pearson Education.
  • van Zoonen, Liesbet (2006). Feminist Media Studies. In Mass Media and Society (4th ed.). (Eds. J. Curran & M. Gurevitch), 135–154. London: Hodder Arnold.
  • Women’s Studies Group, Centre for Contemporary Cultural Studies (1978). Women Take Issue: Aspects of Women’s Subordination. London: Hutchinson Press.
  • Woolf, Virginia (1929). A Room of One’s Own. London: Hogarth Press.
Toplam 43 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Konular Sosyoloji (Diğer)
Bölüm EDEBİYAT / ARAŞTIRMA MAKALELERİ
Yazarlar

Berrin Yanıkkaya 0000-0002-8339-9269

Pervin Yanıkkaya Aydemir 0000-0002-7073-6334

Erken Görünüm Tarihi 29 Ağustos 2025
Yayımlanma Tarihi 31 Ağustos 2025
Gönderilme Tarihi 20 Mayıs 2025
Kabul Tarihi 22 Temmuz 2025
Yayımlandığı Sayı Yıl 2025 Cilt: 10 Sayı: 2

Kaynak Göster

APA Yanıkkaya, B., & Yanıkkaya Aydemir, P. (2025). Feminisms and Feminist Cultural Studies. Söylem Filoloji Dergisi, 10(2), 1095-1110. https://doi.org/10.29110/soylemdergi.1702942