Review
BibTex RIS Cite

Aesthetic and Food From Gastronomy Perspective

Year 2021, Volume: 5 Issue: 1, 35 - 44, 26.01.2021

Abstract

Aesthetics have penetrated almost every building block of society and human. It seems that the current situation is quite controversial when it is associated with eating and drinking, which is one of the most fundamental needs of human. The premise that” human's search for beauty has always existed and will continue to exist " was instrumental in the emergence of this work. It is assumed that this search for beauty plays an important role in both the development and change of eating and drinking, which is a basic physiological need. In this study, it was aimed to examine the relationship between aesthetics and food on the axis of beauty of subject and object. Among the goals is to reveal the reasons why a person prefers a food from an aesthetic point of view. Nowadays it is known that food has a synesthetic effect that stimulates all the senses. Food, which cannot be explained only by the senses of taste and smell, has been considered in the light of aesthetic, philosophical and psychological academic studies. Consequently, it is believed that these two concepts cannot be separated from each other nowadays, and in the future the search will continue with aesthetic apprehension. On the basis of Brillat-Savarin's iconic gastronomic approach, human desire to seek beauty is examined with a critical gastronomic approach.

References

  • Allaire, G. (2004). Quality in economics: a cognitive perspective. M. Harvey, A. McMeekin, & A. Warde içinde, Qualities of food (s. 61-93). Manchester: Manchester University Press.
  • Ashkhenazi, A., & Marks, L. E. (2004). Effect of endogenous attention on detection of weak gustatory and olfactory flavors. Perception & Psychophysics, 66(4), 596-608.
  • Badiou, A. (2005). Handbook of Inaesthetics. (A. Toscano, Çev.) Stanford, California: Stanford University Press.
  • Benson, J., Redfern, B., & Cox, J. R. (2001). Approach to Aesthetics: Collected Papers on Philosophical Aesthetics by Frank Sibley. Oxford: Oxford University Press.
  • Callon, M., Meadel, C., & Rabeharisoa , V. (2002). The economy of qualities. Economy and Society, 31(2), 194-217.
  • D'Angelo, P. (2011). Estetica. Bari: Editori Laterza.
  • Demir, Ö. (1997). Bilim Felsefesi. Ankara: Vadi Yayınları.
  • Ergün, M. (2019). Estetik (Sanat Felsefesi). mustafaergun.com: http://mustafaergun.com.tr/wordpress/wp-content/uploads/2015/11/sanatfelsefesi.pdf adresinden alındı
  • Fairhurst, M. T., Pritchard, D., Ospina, D., & Deroy, O. (2015). Bouba-Kiki in the plate: combining crossmodal correspondences to change flavour experience. Flavour, 4, 22.
  • Freedman, P. (2007). Food: The History of Taste. California: University of California Press.
  • Harvey, M., McMeekin, A., & Warde, A. (2004). Qualities of Food. Manchester: Manchester University Press.
  • Hegarty, J. (2009). How Might Gastronomy be a Suitable Discipline for Testing the Validity of Different Modern and Postmodern Claims About What May be Called Avant-Garde? Journal of Culinary Science & Technology, 2009(7), 1-18.
  • Kaplan, D. M. (2012). Th e Philosophy of Food. California: University of California Press.
  • Kuhn, T. (1996). The structure of scientific revolutions. Chicago: The University of Chicago Press.
  • Michel, C., Velasco, C., Gatti, E., & Spence, C. (2014). A taste of Kandinsky: assessing the influence of the artistic visual presentation of food on the dining experience. Flavour, 3, 7.
  • Moral, R. G. (2020). Gastronomic Paradigms in Contemporary Western Cuisine: From French Haute Cuisine to Mass Media Gastronomy. Frontiers in Nutrition, 6, 192.
  • Murdoch, J., & Miele, M. (2004). A new aesthetic of food? Relational reflexivity in the ‘alternative’ food movement. M. Harvey, A. McMeekin, & A. Warde içinde, Qualities of Food (s. 156-175). Manchester: Manchester University Press.
  • Myhrvold, N. (2011). The Art in Gastronomy: A Modernist Perspective. Gastronomica, 11(1), 13-23.
  • Parasecoli, F. (2001). Deconstructing Soup: Ferran Adrià's Culinary Challenges. Gastronomica, 1(1), 60-73.
  • Perullo, N. (2012). Wineworld: Tasting, Making, Drinking, Being. Rivista di Estetica, 2012(51), 3-48.
  • Roque, J., Guastavino, C., Lafraire, J., & Fernandez, P. (2018). Plating influences diner perception of culinary creativity. International Journal of Gastronomy and Food Science, 11, 55-62.
  • Samancı, Ö. (2020). Gastronomi: Disiplinler Arası Bir Buluşma. Anatolia: Turizm Araştırmaları Dergisi, 31(1), 92-95.
  • Sevim, O., Hisarcıklılar, E., & Feyzioğlu, N. (2012). Bir Estetik Duyuş Analizi. Atatürk Üniversitesi Sosyal Bilimler Enstitüsü Dergisi, 16(3), 41-57.
  • Simmons, W. K., Martin, A., & Barsalou, L. W. (2005). Pictures of appetizing foods activate gustatory cortices for taste and reward. Cereb Cortex, 15(10), 1602-1608.
  • Sipahi, S., Ekincek, S., & Yılmaz, H. (2017). Gastronominin Sanatsal Kimliğinin Estetik Üzerinden İncelenmesi. Journal of Tourism and Gastronomy Studies, 5(3), 381-396.
  • Spence, C. (2018). Complexity on the Menu and in the Meal. Foods, 7(10), 158.
  • Spence, C., & Ngo, M. K. (2012). Assessing the shape symbolism of the taste, flavour, and texture of foods and beverages. Flavour, 1(Article Number 12), 1-12.
  • Spence, C., & Wang, Q. J. (2018). On the Meaning(s) of Perceived Complexity in the Chemical Senses. Chemical Senses, 43(7), 451-461.
  • Spence, C., Piqueras-Fiszman, B., Michel, C., & Deroy, O. (2014). Plating manifesto (II): the art and science of plating. Flavour, 3, 4.
  • Taşçı, Ö. (2009). Kadı Abdülcebbar ve Kant'ta Estetik Anlayışı. Kelam Araştırmaları, 7(2), 73-80.
  • Teil, G., & Hennion, A. (2004). Discovering quality or performing taste? A sociology of the amateur. M. Harvey, A. McMeekin, & A. Warde içinde, Qualities of food (s. 19-36). Manchester: Manchester University Press.
  • Timuçin, A. (2009). Sorularla Estetik El Kitabı. İstanbul: Bulut Yayınları.
  • Tunalı, İ. (1983). Estetik Beğeni. İstanbul: Say Kitap Pazarlama.
  • Tunalı, İ. (1998). Estetik. İstanbul: Remzi Kitabevi.
  • Xenophon, & Jaerisch, P. (1987). Erinnerungen an Sokrates. Germany: Artemis Publishing.
  • Yeomans, M. R., Chambers, L., Blumenthal, H., & Blake, A. (2008). The role of expectancy in sensory and hedonic evaluation: The case of smoked salmon ice-cream. Food Quality and Preference, 19(6), 565-573.
  • Youssef, J., Juravle, G., Youssef, L., Woods, A., & Spence, C. (2015). Aesthetic plating: a preference for oblique lines ascending to the right. Flavour, 4(27), 1-10.
  • Yücel, B. (2009). Estetik Bir Kaygıdan Hastalığa Uzanan Yol: Yeme Bozuklukları. Klinik Gelişim, 22(4), 39-44.
  • Zampollo, F., Wansink, B., & Kniffin, K. M. (2011). Looks Good Enough to Eat: How Food Plating Preferences Differ Across Cultures and Continents. Cross-Cultural Research, 46(1), 31-49.
  • Ziss, A. (1984). Gerçekliği Sanatsal Özümsemenin Bilimi: Estetik. (Y. Şahan, Çev.) İstanbul: de Yayınevi.

Gastronomi Perspektifinden Estetik ve Yemek

Year 2021, Volume: 5 Issue: 1, 35 - 44, 26.01.2021

Abstract

Estetik, toplumun ve insanın hemen her yapı taşına nüfuz etmiştir. İnsanın en temel ihtiyaçlarından biri olan yeme-içme ile ilişkilendirildiğinde mevcut durumun oldukça tartışmalı olduğu görülmektedir. “İnsanın güzellik arayışı her zaman var oldu ve var olmaya devam edecek” önermesi bu çalışmanın ortaya çıkmasında etkili olmuştur. Bu güzellik arayışının temel fizyolojik bir ihtiyaç olan yeme-içmenin hem gelişiminde hem de değişiminde önemli bir rolünün olduğu varsayılmaktadır. Bu çalışmada estetik ve yemek ilişkisinin süje ve objenin güzellik ekseninde incelenmesi amaçlanmıştır. İnsanın bir yemeği tercih nedenlerinin estetik açıdan ortaya konulması da amaçlar arasındadır. Günümüzde gıdanın tüm duyuları harekete geçiren sinestetik bir etkisinin olduğu bilinmektedir. Sadece tat ve koku duyuları ile açıklanamayacak olan yemek; estetik, felsefik ve psikolojik akademik çalışmalar ışığında ele alınmıştır. Sonuç olarak günümüzde bu iki kavramın birbirinden ayrılamadığı, gelecekte de estetik kaygı ile arayışın devam edeceği düşünülmektedir. Çalışmada Brillat-Savarin’in ikonik gastronomi yaklaşımı temelinde insanın güzeli arama arzusu, eleştirel gastronomik bir yaklaşım ile irdelenmektedir.

References

  • Allaire, G. (2004). Quality in economics: a cognitive perspective. M. Harvey, A. McMeekin, & A. Warde içinde, Qualities of food (s. 61-93). Manchester: Manchester University Press.
  • Ashkhenazi, A., & Marks, L. E. (2004). Effect of endogenous attention on detection of weak gustatory and olfactory flavors. Perception & Psychophysics, 66(4), 596-608.
  • Badiou, A. (2005). Handbook of Inaesthetics. (A. Toscano, Çev.) Stanford, California: Stanford University Press.
  • Benson, J., Redfern, B., & Cox, J. R. (2001). Approach to Aesthetics: Collected Papers on Philosophical Aesthetics by Frank Sibley. Oxford: Oxford University Press.
  • Callon, M., Meadel, C., & Rabeharisoa , V. (2002). The economy of qualities. Economy and Society, 31(2), 194-217.
  • D'Angelo, P. (2011). Estetica. Bari: Editori Laterza.
  • Demir, Ö. (1997). Bilim Felsefesi. Ankara: Vadi Yayınları.
  • Ergün, M. (2019). Estetik (Sanat Felsefesi). mustafaergun.com: http://mustafaergun.com.tr/wordpress/wp-content/uploads/2015/11/sanatfelsefesi.pdf adresinden alındı
  • Fairhurst, M. T., Pritchard, D., Ospina, D., & Deroy, O. (2015). Bouba-Kiki in the plate: combining crossmodal correspondences to change flavour experience. Flavour, 4, 22.
  • Freedman, P. (2007). Food: The History of Taste. California: University of California Press.
  • Harvey, M., McMeekin, A., & Warde, A. (2004). Qualities of Food. Manchester: Manchester University Press.
  • Hegarty, J. (2009). How Might Gastronomy be a Suitable Discipline for Testing the Validity of Different Modern and Postmodern Claims About What May be Called Avant-Garde? Journal of Culinary Science & Technology, 2009(7), 1-18.
  • Kaplan, D. M. (2012). Th e Philosophy of Food. California: University of California Press.
  • Kuhn, T. (1996). The structure of scientific revolutions. Chicago: The University of Chicago Press.
  • Michel, C., Velasco, C., Gatti, E., & Spence, C. (2014). A taste of Kandinsky: assessing the influence of the artistic visual presentation of food on the dining experience. Flavour, 3, 7.
  • Moral, R. G. (2020). Gastronomic Paradigms in Contemporary Western Cuisine: From French Haute Cuisine to Mass Media Gastronomy. Frontiers in Nutrition, 6, 192.
  • Murdoch, J., & Miele, M. (2004). A new aesthetic of food? Relational reflexivity in the ‘alternative’ food movement. M. Harvey, A. McMeekin, & A. Warde içinde, Qualities of Food (s. 156-175). Manchester: Manchester University Press.
  • Myhrvold, N. (2011). The Art in Gastronomy: A Modernist Perspective. Gastronomica, 11(1), 13-23.
  • Parasecoli, F. (2001). Deconstructing Soup: Ferran Adrià's Culinary Challenges. Gastronomica, 1(1), 60-73.
  • Perullo, N. (2012). Wineworld: Tasting, Making, Drinking, Being. Rivista di Estetica, 2012(51), 3-48.
  • Roque, J., Guastavino, C., Lafraire, J., & Fernandez, P. (2018). Plating influences diner perception of culinary creativity. International Journal of Gastronomy and Food Science, 11, 55-62.
  • Samancı, Ö. (2020). Gastronomi: Disiplinler Arası Bir Buluşma. Anatolia: Turizm Araştırmaları Dergisi, 31(1), 92-95.
  • Sevim, O., Hisarcıklılar, E., & Feyzioğlu, N. (2012). Bir Estetik Duyuş Analizi. Atatürk Üniversitesi Sosyal Bilimler Enstitüsü Dergisi, 16(3), 41-57.
  • Simmons, W. K., Martin, A., & Barsalou, L. W. (2005). Pictures of appetizing foods activate gustatory cortices for taste and reward. Cereb Cortex, 15(10), 1602-1608.
  • Sipahi, S., Ekincek, S., & Yılmaz, H. (2017). Gastronominin Sanatsal Kimliğinin Estetik Üzerinden İncelenmesi. Journal of Tourism and Gastronomy Studies, 5(3), 381-396.
  • Spence, C. (2018). Complexity on the Menu and in the Meal. Foods, 7(10), 158.
  • Spence, C., & Ngo, M. K. (2012). Assessing the shape symbolism of the taste, flavour, and texture of foods and beverages. Flavour, 1(Article Number 12), 1-12.
  • Spence, C., & Wang, Q. J. (2018). On the Meaning(s) of Perceived Complexity in the Chemical Senses. Chemical Senses, 43(7), 451-461.
  • Spence, C., Piqueras-Fiszman, B., Michel, C., & Deroy, O. (2014). Plating manifesto (II): the art and science of plating. Flavour, 3, 4.
  • Taşçı, Ö. (2009). Kadı Abdülcebbar ve Kant'ta Estetik Anlayışı. Kelam Araştırmaları, 7(2), 73-80.
  • Teil, G., & Hennion, A. (2004). Discovering quality or performing taste? A sociology of the amateur. M. Harvey, A. McMeekin, & A. Warde içinde, Qualities of food (s. 19-36). Manchester: Manchester University Press.
  • Timuçin, A. (2009). Sorularla Estetik El Kitabı. İstanbul: Bulut Yayınları.
  • Tunalı, İ. (1983). Estetik Beğeni. İstanbul: Say Kitap Pazarlama.
  • Tunalı, İ. (1998). Estetik. İstanbul: Remzi Kitabevi.
  • Xenophon, & Jaerisch, P. (1987). Erinnerungen an Sokrates. Germany: Artemis Publishing.
  • Yeomans, M. R., Chambers, L., Blumenthal, H., & Blake, A. (2008). The role of expectancy in sensory and hedonic evaluation: The case of smoked salmon ice-cream. Food Quality and Preference, 19(6), 565-573.
  • Youssef, J., Juravle, G., Youssef, L., Woods, A., & Spence, C. (2015). Aesthetic plating: a preference for oblique lines ascending to the right. Flavour, 4(27), 1-10.
  • Yücel, B. (2009). Estetik Bir Kaygıdan Hastalığa Uzanan Yol: Yeme Bozuklukları. Klinik Gelişim, 22(4), 39-44.
  • Zampollo, F., Wansink, B., & Kniffin, K. M. (2011). Looks Good Enough to Eat: How Food Plating Preferences Differ Across Cultures and Continents. Cross-Cultural Research, 46(1), 31-49.
  • Ziss, A. (1984). Gerçekliği Sanatsal Özümsemenin Bilimi: Estetik. (Y. Şahan, Çev.) İstanbul: de Yayınevi.
There are 40 citations in total.

Details

Primary Language Turkish
Journal Section Derleme
Authors

Ceyhun Uçuk 0000-0003-2809-6430

İbrahim İlhan 0000-0002-6614-9356

Publication Date January 26, 2021
Published in Issue Year 2021 Volume: 5 Issue: 1

Cite

APA Uçuk, C., & İlhan, İ. (2021). Gastronomi Perspektifinden Estetik ve Yemek. Aydın Gastronomy, 5(1), 35-44.

Except where otherwise noted, content on this site is licensed under a Creative Commons Attribution 4.0 International license (CC-BY-NC 4.0)