Volume: 4 Issue: 3, 1/10/25

Year: 2024

Research Articles

Research Article

10. Artificial Intelligence and Originality in Design

Book Reviews

Creative Arts and Writing, Design
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Asst. Prof. Dr. Aslı AKSOY Haliç Üniversitesi
Nutrition and Dietetics, Food Sciences, Food Packaging, Preservation and Processing, Food Technology
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Asst. Prof. Dr. Başak AKYOL MANİSA CELÂL BAYAR ÜNİVERSİTESİ
Art History
Burak Boyraz
Assoc. Prof. Dr. Burak BOYRAZ YILDIZ TEKNİK ÜNİVERSİTESİ Web
Born in Istanbul, 1986. He completed his primary and high school education in Istanbul. In 2004, he was admitted to Kocaeli University, Fine Arts Faculty, Plastic Arts Department. In the second year of his education, he was accepted to Naval Forces, 9. Traditional Painting Contest Exhibition. After he graduated in 2008, he was accepted to the master’s degree program from Yıldız Technical University, Museology Program. In 2011, he opened his first individual painting exhibition at Pera Fine Arts Gallery (Kadıköy / İstanbul). In the same year, he started Kocaeli University, Profiency in Art Program. Although he participated into too many exhibitions and arts fairs organized in and out of the country in the period he was educated in this program, he also organized mail-art activities targeting primary education school students in Turkey and Greece. His works were exhibited in 2014 at Young Activity 6 and in 2017, at Young Activity 7 (See Genç Etkinlik 6 & 7, UPSD). In the Balkan geography, he made research on painting restoration in North Macedonia (Skopje), Serbia (Belgrade) and Greece (Athens) and in Turkey, in Istanbul, Ankara and Bursa provinces. In 2017, he was awarded the Young Painter of Year granted by Mimar Sinan Fine Arts High School, Year’s Mimar Sinans, (together with Eda Su Neidik). He continues with his academic studies under the roof of Arts Department of Yıldız Technical University, Arts and Design Faculty.
Interdisciplinary Art, Virtual and Mixed Reality, Fine Arts Education, Design, Creative Arts and Writing, Plastic Arts, Restoration and Conservation of Art Works, Painting, Restoration and Conversation of Plastic Arts
Cenk Berkant
Assoc. Prof. Dr. Cenk BERKANT Muğla Sıtkı Koçman Üniversitesi

İzmir doğumlu Cenk Berkant, lisans eğitimini Ege Üniversitesi Sanat Tarihi Bölümü’nde almıştır. Yüksek lisans eğitimini aynı üniversitenin Sosyal Bilimler Enstitüsü, Batı Sanatı ve Çağdaş Sanat Anabilim Dalı’nda “Mimar Raymond Péré’nin İzmir’deki Eserleri” konulu teziyle tamamlamıştır. Doktora derecesini, İtalya Padova Üniversitesi’nde gerçekleştirdiği “L'Impero Ottomano e l'Italia, le relazioni in architettura: Il caso di Smirne” (Türk-İtalyan Mimarlık İlişkilerinde İzmir Örneği) başlıklı teziyle 2011 yılında almıştır. Ardından, Roma Tor Vergata Üniversitesi, Mimarlık Tarihi Kürsüsü’nde post-doktora çalışmasını 2012 yılında tamamlamıştır. Yurda döndükten sonra, 2013 yılında Muğla Sıtkı Koçman Üniversitesi, Edebiyat Fakültesi, Sanat Tarihi Bölümü’nde göreve başlamış ve burada 2022 yılında Doçent unvanını almıştır. Tübitak Bilim İnsanı Destekleme Programı tarafından finanse edilen Tanzimat reformlarından 1950’lere İtalyan Güzel Sanatlar Akademilerinde sanat ve mimarlık eğitimi almış Osmanlı ve Türkiye Cumhuriyeti vatandaşı öğrenciler başlıklı bir yıllık araştırma projesini 13 Ekim 2024’te başarıyla tamamlayıp üniversitesindeki görevine dönmüştür. Doç. Dr. Cenk Berkant’ın araştırma alanları Türk-İtalyan Sanat ve Mimarlık İlişkileri ile Geç Osmanlı ve Erken Cumhuriyet Dönemi Sanatı ve Mimarlığı’dır. 

Art History, Painting History, History of Architecture, Urban in Art History
Gülay Usta
Prof. Dr. Gülay USTA İSTANBUL KÜLTÜR ÜNİVERSİTESİ
Interior Architecture , Architectural Design, Architectural History, Theory and Criticism
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Assoc. Prof. Dr. Güven ÖZDOYRAN İSTANBUL AREL ÜNİVERSİTESİ
Communication Technology and Digital Media Studies, Philosophy of Culture , Communication Sociology, Cultural Theory, Anthropology of Gender and Sexuality, Communication and Media Studies, Communication Theories
Hilal Türkdoğdu
Asst. Prof. Dr. Hilal TÜRKDOĞDU İstanbul Aydın Üniversitesi Mimarlık ve Tasarım Fakültesi
Landscape Repair
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Assoc. Prof. Dr. Julide EDİRNE Haliç Üniversitesi Mimarlık Fakültesi Mimarlık Anabilim Dalı
Architectural Heritage and Conservation, Interaction and Experience Design, Sustainable Architecture, City and Regional Planning, Built Environment and Design
Kevser Soydan
Asst. Prof. Dr. Kevser SOYDAN İSTANBUL ESENYURT ÜNİVERSİTESİ SANAT VE SOSYAL BİLİMLER FAKÜLTESİ DİJİTAL OYUN TASARIMI BÖLÜMÜ
Computer Gaming and Animation, Semiotics, Graphic Design, Illustration, Animation, Visual Design, Digital Game Design, Visual Communication Design (Other), Photography
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Asst. Prof. Dr. Murat AY İSTANBUL TOPKAPI ÜNİVERSİTESİ
Food Sciences
Musa Çelik
Dr. Musa ÇELİK ISTANBUL AREL UNIVERSITY Web

Dr.Musa Çelik

Üniversite öğrenimini Marmara Üniversitesi İletişim Fakültesi, Radyo, Televizyon ve Sinema Bölümünde tamamladı (2007-2012).  Yüksek Lisans öğrenimini İstanbul Arel Üniversitesi Medya ve Kültürel Çalışmalar Bölümü’nden “Geleneksel ve İnternet Gazeteciliğinde Emeğin Dönüşümü” çalışmasıyla mezun oldu (2015-2018).  İstanbul Üniversitesi Sosyal Bilimler Enstitüsü Gazetecilik Anabilim Dalı’nda Gazetecilik Doktorasını "Türkiye'de gazetecilerin istihdamında İŞKUR etkisi" başlıklı tezini başarıyla savunarak Dr. unvanını aldı (2019-2023).

Akademik öğreniminin yanı sıra gazetecilik alanında editörlük, muhabirlik, foto muhabirlik  yaptı. İstanbul Arel Üniversitesi'nde Dr. olarak akademik kariyerini devam ettirmekte. Akademisyenin başlıca çalışma alanları: Gazetecilikte çalışma şartları,  emek, yeni medya, internet gazeteciliği, sinema .

Akademisyenin bugüne kadar yayımlanan çalışmaları ise şöyle: 

Makale:

Ötekileştirme bağlamında Yılmaz Güney’in Yol filmi (2021)

Jeremy Rifkin: İşin Sonu (2022).

Gazetecilerin işgücü piyasasına katılımına alternatif bir model: İŞKUR işbaşı eğitim programı (2023).

Kitap Bölümü:

Gazetecilikte Emeğin Dönüşümü (2019).

Modernizm ve yeni medya (2020).

Gazetecilerde karakter aşınması: Gazetecilikte değişen çalışma şartları üzerine kısa bir çalışma (2021).  

Bir Kültürel Mücadele Alanı Olarak Medya Emperyalizmine Netflix Örneği (2022).  

Dijital çağda platfom kapitalizmi (2023). 

Gözetim Kapitalizmi ve Platformlar Çağında Gazetecilik (2024).

Bildiri:

Yeter ki işiniz olsun, işin ne önemi var: Bugünün gazetecisi, yarının tezgahtarı. (2024)

Basında uzmanlaşmanın sonu.(2024)

Çanlar gazeteciler için çalıyor: Yapay zekânın çalışma yaşamındaki rolü.(2024)

Journalism
Orhun Türker
Assoc. Prof. Orhun TÜRKER BOLU ABANT İZZET BAYSAL ÜNİVERSİTESİ, GÜZEL SANATLAR FAKÜLTESİ, GRAFİK SANATLAR BÖLÜMÜ Web

Bolu International Art Hall / International Poster Design Competition, Head (2019-...)

Artificial Reality, Artificial Intelligence, Artificial Intelligence (Other), Graphics, Augmented Reality and Games (Other), Graphic Design
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Doctoral Saba MATİN ISTANBUL AYDIN UNIVERSITY
Built Environment and Design
Architectural History, Theory and Criticism, Information Technologies in Architecture and Design, Architectural Design, Interior Architecture , Built Environment and Design, Universal and Unobstructed Design
Yaprak Özel
Assoc. Prof. Yaprak ÖZEL İSTANBUL NİŞANTAŞI ÜNİVERSİTESİ
Aesthetics in Architecture, Architectural Design, Design Culture and Social Context , Universal and Unobstructed Design, Interior Architecture , Interior Decoration Design
Yaşar Özrili
Asst. Prof. Dr. Yaşar ÖZRİLİ Yüzüncü yıl üniversitesi Web

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Art History, Theory and Criticism (Other), Museum Education, Digital Heritage
Zerrin Funda Ürük
Assoc. Prof. Zerrin Funda ÜRÜK İSTANBUL GEDİK ÜNİVERSİTESİ
Universal and Unobstructed Design, Design Management, Interior Decoration Design, Design, Plan, Project and Application in Architecture, Habitation and Industrial Products, Design for Disaster Relief, Social Design, Sustainable Architecture, Architectural Design, Interior Architecture , Architecture for Disaster Relief, Ergonomics Design
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Asst. Prof. Dr. Çağlayan HERGÜL It is not affiliated with an institution
Cultural and Natural Heritage, Islamic Arts, Visual Cultures, Urban in Art History , Art Criticism, History of Architecture, Painting History, Art History
Özden Pektaş Turgut
Prof. Dr. Özden PEKTAŞ TURGUT Hacettepe Üniversitesi
New Media, Visual Communication Design, Internet Publishing, Multimedia Design, Interaction and Experience Design, Digital and Electronic Media Art, Interactive Media, Screen and Digital Media (Other), Digital Advertising, Graphic Design

Our aim is to create a common academic platform from different disciplines in the fields of Fine Arts and Design.

Articles on plastic arts, graphic design, visual communication design, cartoon animation, new media, architecture, interior architecture, urban design, art education, art history, art philosophy and sociology, cinema and television, gastronomy and culinary arts, fashion and textile design, performing arts, are accepted to ART/icle: Journal of Art & Design.

The article evaluation process in our journal is 60 days. Each article will be evaluated by at least two referees with a doctorate, and when there is an equality, such as an acceptance or a rejection, the third referee opinion will be requested. All processes will be carried out by the double blind method.

ART/icle: Journal of Art & Design, (ISSN: 2718-1057 & e-ISSN: 2791-7665) was founded in 2020. ART/icle: Journal of Art & Design will be published by Istanbul Gelişim University Faculty of Fine Arts, twice a year, in June and December. It is an International Academic Refereed Journal. It will operate in accordance with the open access philosophy. Our aim is to create a common academic platform from different disciplines in the fields of Fine Arts and Design. The language of the journal is Turkish and English.

The article evaluation process in our journal is 60 days. Each article will be evaluated by at least two referees with a doctorate, and when there is an equality, such as an acceptance or a rejection, the third referee opinion will be requested. All processes will be carried out by the double blind method. iThenticate, Turnitin and intihal.net programs are used in online plagiarism reporting. No fees will be charged from the authors at any stage.


Articles on PLASTIC ARTS, GRAPHIC DESIGN, VISUAL COMMUNICATION DESIGN, CARTOON ANIMATION, NEW MEDIA, ARCHITECTURE, INTERIOR ARCHITECTURE, URBAN DESIGN, ART EDUCATION, ART HISTORY, ART PHILOSOPHY AND SOCIOLOGY, CINEMA AND TELEVISION, GASTRONOMY AND CULINARY ARTS, FASHION AND TEXTILE DESIGN, PERFORMING ARTS are accepted to ART/icle: Journal of Art & Design.

ART/icle: Journal of Art & Design’s registered editors and reviewers are responsible for ensuring the quality of the published papers and the contribution to the academia fully committed to fulfilling the ethical responsibilities that are set by COPE (http://publicationethics.org/resources/guidelines.)

Section A: Publication and authorship
1. The double blind method is applied.
2. All submitted papers are under strict peer-review process by at least two international reviewers who are specialized in the area.
3. The papers are only taken into account in review process in terms of their significance, uniqueness, readability, contribution, signification, relevance, and language.,
4. It is not possible to re-review rejected papers.
5. The decision process contains acceptance, acceptance with revisions, or rejection.
6. If an author gets revision or resubmission for the paper, it is not certain that the revised version will be accepted or published.
7. The paper acceptance is constrained by such legal requirements as copyright infringement and plagiarism.
8. Submitting the same paper to different journals is not acceptable.

Section B: Authors’ responsibilities
1. All Authors mentioned in the paper must have significantly contributed to the research. All authors must contribute to the research.
2. All authors must confirm that their research is original. Plagiarism is not acceptable.
3. All authors must confirm that the paper has not been published in any other journals.
4. All authors must report any mistakes that are in the published paper.
5. All authors must confirm that the paper has not been submitted for other journals’ review process.
6. All authors must provide corrections and retractions of the paper.
7. All authors must state that all relevant data that are in mentioned in the paper are genuine and real.
8. All authors must inform the Editors about the conflict of interest.
9. All authors must participate in the peer-review process.
10. All authors must cite the sources that are used in the research.

Section C: Reviewers’ responsibilities
1. Reviewers must define non-cited and relevant sources in the paper.
2. Reviewers must mind that all papers’ information is confidential.
3. Reviews should be objective.
4. Reviewers must notify the Editors about any similarity in the paper among other papers.
5. Reviewers must declare their opinions regarding supporting objectives.
6. Reviewers must be equal to all authors, but if there are conflicts of interest resulting from personal views, the reviewer should not review the paper.

Section D: Editors’ responsibilities
1. All Editors must guarantee the integrity of the academic level and the papers’ quality.
2. All Editors should be determined about their decisions and should not overturn the decisions.
3. All Editors should mind the confidentiality of the reviewers.
4. All Editors are responsible for the quality of the submitted papers’ content.
5. All Editors must mind the authors and the regarding readers’ requests.
6. All Editors must make literal corrections if it is necessary and publish these corrections.
7. All Editors should be clear and controllable about the funding sources that contribute to the journal.
8. All Editors should make their decisions based on the uniqueness, clearness, relevance, and language of the submitted research.
9. All Editors must be certain that all published researches correspond to the international guidelines.
10. All Editors are responsible for rejecting or accepting the papers.
11. All Editors should involve in any malpractice in the journal or the process of publishing and also should take action.
12. All Editors should be transparent in accepting papers and should have proof to present.
13. All Editors must ensure that there are no conflicts of interest between editors, paper authors, reviewers, and editorial board.
14. All Editors should be selective in the process of accepting the papers.

No fees will be charged from the authors any stage.

ART/icle: Journal of Art and Design

ISSN: 2718-1057
e-ISSN: 2791-7665