Patriarchal Subordination of Women and Nature in Doris Lessing’s The Grass is Singing and Margaret Atwood’s The Edible Woman
Abstract
Keywords
References
- Acar, P. (2019). An ecofeminist reading of Herland, The Edible Woman and Woman on the Edge of Time. Master’s Thesis, Celal Bayar University, Manisa.
- Adams, C. J. & Gruen, L. (2022). Ecofeminist footings. Carol J. Adams & Lori Gruen (Eds), In Ecofeminism: Feminist intersections with other animals and the earth (pp. 1-43). Bloomsbury Academic.
- Atwood, M. (2010). The Edible Woman. Emblem.
- Bornancin, E. (2019). Breakdown as breakthrough: Female emancipation in Margaret Atwood’s The Edible Woman and Surfacing. Master’s Thesis, Universita Ca’Foscari Venezia, Venice.
- Carroll, V. P. (2018). Introduction: Ecofeminist dialogues. Douglas A. Vakoch & Sam Mickey (Eds), In Ecofeminism in dialogue (pp. 1-12). Lexington Books.
- Davies, M. (2006). Margaret Atwood’s female bodies. Corall Ann Howells (Ed), In The Cambridge companion to Margaret Atwood (pp. 58-71). Cambridge University Press.
- Divya, S. (nd). An extended literary evocation of South Africa: Interpreting neo-humanism in Doris Lessing’s fiction. Archers and Elevators Publishing House.
- Fishburn, K. (1994). The manichean allegories of Doris Lessing’s “The Grass is Singing.” Research in African Literatures, 25(4), 1-15.
Details
Primary Language
English
Subjects
-
Journal Section
Research Article
Authors
Barış Ağır
*
0000-0002-7132-5844
Türkiye
Publication Date
August 15, 2023
Submission Date
April 12, 2023
Acceptance Date
May 24, 2023
Published in Issue
Year 2023 Number: 14