Volume: 11 Issue: 1 , 7/1/25

Year: 2025

Research Article

Research Article

4. RESİM SANATINDA SİNEMATOGRAFİK ETKİLER

Research Article

6. Müzik Sanatına Bakışıyla İsmet İnönü

Research Article

13. RİTİM VE UYUM BAĞLAMINDA FÜTÜRİZM SANAT AKIMI

Research Article

14. SPEKTRAL MÜZİK ÇERÇEVESİNDE KAIJA SAARİAHO
Derya Karaburun Doğan
Assoc. Prof. Dr. Derya KARABURUN DOĞAN İnönü Üniversitesi, Devlet Konservatuvarı Web

Malatya’da doğdu. 2004 yılında İnönü Üniversitesi Güzel Sanatlar ve
Tasarım Fakültesi Müzik Bölümü Müzikoloji Anabilim Dalı sınavına girerek
burada okumaya hak kazandı. Prof. Ali Sevgi, Prof. Dr. Turan Sağer, Prof. Dr.
Metin Karkın, Prof. Kadir Karkın ve Prof. Server Acim’den Armoni ve Müzik
Teorisi, Prof. Cemal Yurga ve Prof. Dr. Banu Mustan Dönmez’den Müzik
Tarihi, Etnomüzikoloji ve Popüler Müzikler derslerini aldı. 2008 yılında
Müzikoloji Anabilim Dalı 1. si olarak mezun oldu. 2009 yılında İnönü
Üniversitesi Sosyal Bilimler Enstitüsü, Güzel Sanatlar ve Tasarım Fakültesi
Müzik Ana bilim Dalı, Müzik Bilimleri ve Teknolojisi yüksek lisans programı
sınavında 1. olarak bu programda okumaya hak kazandı. 2010 yılında İnönü
Üniversitesi Güzel Sanatlar ve Tasarım Fakültesi Müzik Ana bilim Dalında
Araştırma Görevlisi olarak çalışmaya başladı ve yüksek lisans eğitimini
tamamladı. 2010 yılında İnönü Üniversitesi Sosyal Bilimler Enstitüsü, Müzik
Bilimleri ve Teknolojisi Doktora programında okumaya hak kazandı. 2015
yılında doktora programından mezun oldu. 2016 yılında Dr. Öğr. Üye.
kadrosuna atandı. 2019 yılında ÜAK tarafından Müzikoloji Bilim/Sanat
alanında Doçent unvanı almaya hak kazandı. İnönü Üniversitesi Güzel
Sanatlar ve Tasarım Fakültesi Müzik Bilimleri Anabilim Dalı’nda Müzikoloji
Anabilim Dalı Başkanlığı’nı yürüttü, 2020 yılında İnönü Üniversitesi Devlet
Konservatuarı Türk Halk Müziği Ana Sanat Dalına Doçent olarak atandı.
Aynı kurumda Müdür Yardımcısı ve Türk Halk Müziği Ana Sanat Dalı
Başkanı olarak görevine devam etmektedir.
Müzikoloji, Müzik Sosyolojisi ve Etnomüzikoloji alanlarında ulusal
ve uluslararası bilimsel toplantılarda bildirileri, mesleki ve hakemli dergilerde
makaleleri, uluslararası yayınevlerinde editörlükler ve kitap bölümleri ayrıca
tek ve çok yazarlı “Hatay Arap Ortodoks Müzik Kültürü”; “Etnomüzikoloji
Alan
Çalışmaları-I”
ve
“Türk Siyasal Hayatında Propaganda
Müzikleri” adında üç kitabı bulunmaktadır. 

Creative Arts and Writing, Music, Musicology and Ethnomusicology

İnönü University Journal of Culture and Art aims to contribute to the literature by publishing manuscripts of the highest scientific standard in the fields of culture and art.
İnönü University Journal of Culture and Art publishes original articles and reviews prepared in accordance with ethical guidelines. The scope of the journal includes culture and art, with a primary focus on music and visual arts.

The journal's target audience includes researchers and specialists interested in or working across all fields of art.

Manuscripts submitted for evaluation should be original and not previously presented or published in any electronic or print medium. If a manuscript was previously presented at a conference or meeting, authors should provide detailed information about the event, including the name, date, and location of the organization.
Submission

  • To upload the article file, the copyright agreement must be completed, signed, and uploaded along with the article file in PDF format. 
  • Articles not adhering to the journal's writing guidelines will not be evaluated. The references in the bibliography and the text must be formatted according to APA style for the article to be accepted.

Article Upload Process:

  1. Dergipark User Page
  2. Process
  3. Submit Article
  4. Article Parent Data
  5. ... and so on, following the required steps in the system.

Overview:

Works submitted for publication must not exceed 30 pages, including attachments and bibliography. The text must be in Word format using the "Arial" font. The margins should be as follows: left 2 cm, right 2 cm, top 3 cm, and bottom 3 cm.

Title:

Turkish and English titles should be written in Arial, 12-point font, bold, and capital letters. The title should be placed above the Turkish and English abstract sections.

Author Name(s) and Address(es):

The author(s) of the article should be written in bold and centered under the main title, with the last name in capital letters. If applicable, the academic title, institution, and email address should be included in a footnote at the bottom of the first page in 9-point font. The responsible author and their email address should be indicated.

Abstract:

Include an abstract in both English and Turkish on the first page of the article. The abstract should not exceed 150 words and must include 3 to 5 keywords. The abstract should be written with single-line spacing and 10-point font, with no indentation. The title "Abstract" should be in bold capital letters and left-aligned with zero spacing before and after. Keywords should be in bold and separated by commas.

Section Headings:

Section and subheadings should be written in 10-point font, bold, and non-italicized format. Only the first letter of each word should be capitalized. Number the titles using a decimal system (e.g., 1., 1.1., 1.1.1.).

Main Text:

The main text should be written in 10-point font with justified alignment. Leave 6-point spacing before and after paragraphs, with single-line spacing. Page numbers should be centered at the bottom of each page.

Tables and Figures:

Table and figure headings should be written in 9-point font, in capital letters, and with 1-line spacing between the top line of the table/figure and the title. Number each table and figure (e.g., Table 1, Table 2, Figure 1, Figure 2) and provide full bibliographic information below the tables/figures in 9-point font. If a reference is below a table or figure, use 0-point spacing between the reference and the table/figure, with 6-point spacing for the following paragraph. Mathematical equations should be numbered, with the numbers placed in parentheses to the right of the equation.

Citations:

Citations in the text should follow the APA format (latest version). Notes should be expressed as footnotes (9-point font) at the bottom of the page. In-text citations should include the author's last name, the year of publication, and the page number (e.g., Imik, 2013: 5; Imik and Poppy, 2011: 15; Poppy et al., 2000: 10-12; DPT, 2004: 32).

Main Points

All submissions (except letters to the editor) should include 3–5 key points, summarizing the study’s significance in a clear, straightforward manner.

Supplementary Materials

  • Submit as separate files (e.g., videos, datasets).
  • No page numbers required.

PRODUCTION PROCESS
Manuscripts submitted to the İnönü University Journal of Culture and Art undergo a rigorous evaluation and production process. Initially, all submissions are screened for compliance with the journal’s formatting and submission guidelines. Suitable manuscripts then proceed to a double-anonymized peer review by experts in the field. Once the peer review process is completed and the manuscript is accepted, it undergoes language and technical editing to ensure clarity and accuracy. In the final stage, the manuscript is formatted, typeset, and prepared for publication in the relevant issue of the journal.

PUBLICATION ETHICS

İnönü University Journal of Culture and Art aims to adhere to the guidelines and core practices set forth by several organizations, including the Committee on Publication Ethics (COPE) guidelines and the Principles of Transparency and Best Practice in Scholarly Publishing (joint statement by COPE, DOAJ, OASPA, WAME). These guidelines and recommendations are designed to promote transparency, integrity, and best practices in scholarly publishing.

By adhering to these standards, the journal aims to ensure that the research it publishes is of high quality and meets the ethical standards of the scientific community.

ETHICAL PRINCIPLES AND PUBLICATION POLICY

Ethics Committee Approval and Informed Consent

All research involving human subjects must be reviewed and approved by an ethics committee (e.g., IRB) before being conducted. The name of the ethics committee, approval number, and date should be included in the Methods section of the manuscript. Authors may also be required to provide a copy of the approval.

If the study is exempt from ethics approval, authors must provide a statement from the ethics committee explaining the exemption. If a manuscript is submitted without ethics approval, the journal will follow COPE's guidelines to assess the ethical concerns. Manuscripts lacking approval may be rejected if the issue is deemed significant.

Informed consent details must be included in the Methods section, along with relevant information about the research process.

For studies involving human subjects, authors must confirm that written informed consent was obtained from all participants, and the consent form should be kept by the researchers. For research involving children under 18, consent must be obtained from the parent or guardian. In surveys or interviews, participants’ consent for data use must also be confirmed. Personal details should be de-identified unless explicit consent for naming is given.

Authors are responsible for protecting participant anonymity and confidentiality, especially in photographs. Signed releases must be obtained for any images, ensuring consent for publication and specifying any conditions. This approval must be noted in the Methods section.


Plagiarism and Ethical Misconduct

All submissions undergo multiple screenings during the peer review and/or production processes using similarity detection software. When citing previous works, ensure that all material is properly referenced. Copying text, tables, or illustrations from any source (journal articles, books, theses, electronic media, etc.) and presenting them as one's own is considered plagiarism, even if a reference is provided. Listing the source in the 'References' section does not absolve authors of responsibility for plagiarism.

Authors are strongly encouraged to avoid any form of plagiarism or ethical misconduct, as illustrated below:

  • Citation Manipulation: Refers to inflating citation counts through self-citation, excessive citation of the same journal, or citation stacking, which distorts academic recognition.
  • Self-Plagiarism (Text Recycling): Involves reusing sections or sentences from an author's prior work without proper citation, constituting a form of plagiarism.
  • Salami Slicing: The unethical practice of publishing multiple articles using the same data set, hypotheses, and methods from a single study.
  • Data Fabrication: The creation of false data not supported by actual research or experiments, considered a serious breach of research integrity.
  • Data Manipulation/Falsification: Involves altering data, such as modifying images or removing outliers, to mislead or misrepresent findings.

In cases of suspected misconduct (e.g., plagiarism, citation manipulation, or data falsification), the Editorial Board will follow COPE guidelines to ensure fair, transparent, and consistent handling of allegations.

OPEN ACCESS POLICY

All articles published in the İnönü University Journal of Culture and Art are permanently accessible online at no cost, with no registration requirements. Authors retain the copyright to their work while permitting third parties to share, reproduce, and distribute the content in accordance with the journal’s Copyright and Ethics policy.

As of 2025, all published content will be licensed under the Creative Commons Attribution-NonCommercial 4.0 International License (CC BY-NC 4.0), which allows non-commercial use, distribution, and modification, provided proper credit is given to the original source.

The content published before 2025 was licensed under a traditional copyright, but the archive is still available for free access.

All journal content can be accessed freely at https://dergipark.org.tr/en/pub/ijca.

COPYRIGHT POLICY

Articles published in the İnönü University Journal of Culture and Art are Open Access and distributed under the Creative Commons Attribution-NonCommercial 4.0 International License (CC BY-NC 4.0). This allows third parties to share and adapt the content for non-commercial purposes, provided the original work is properly credited.

Copyright Agreement and Acknowledgement of Authorship form should be submitted with all manuscripts.

PRICE POLICY

No fees are charged to authors or institutions for submission or publication. All journal expenses are covered by İnönü University, and there are no submission or publishing fees for accepted articles.

ADVERTISING POLICY

İnönü University Journal of Culture and Art accepts digital advertisements on its website, provided they are approved by the journal's Editorial Board and management. All advertisements must be clearly labeled as such. Advertisers have no influence on editorial decisions or advertising policies.

For advertising inquiries, please contact the Editorial Office (inueditorial@inonu.edu.tr).


PEER REVIEW DETAILS

İnönü University Journal of Culture and Art maintains a rigorous and transparent double-anonymized peer-review process to ensure the highest standards of academic integrity. Manuscripts are subjected to this process, where both authors and reviewers remain anonymous to one another. Each manuscript is evaluated by at least two independent external reviewers who are experts in the relevant field. While authors may suggest potential reviewers, the final selection is made by the editor, who is not obliged to follow the author's recommendations. Confidentiality is paramount throughout the review process, and reviewers must keep the manuscript confidential, sharing it only with the editor's consent. Reviewers provide timely, unbiased, evidence-based, and constructive feedback to improve the quality of the manuscript. Any suspected research misconduct must be reported to the editor confidentially to uphold the process's integrity. The journal ensures transparency by publicly sharing information about the review process, selection criteria, and appeals procedure and publishing key metrics like acceptance rates and publication timelines. The final decision on whether a manuscript is accepted, revised, or rejected rests with the Editor-in-Chief, who considers recommendations from Section Editors. Reviewers must disclose any potential conflicts of interest before accepting an invitation to review, and all communications between editors and reviewers are confidential. External editors handle manuscripts submitted by editorial board members to ensure impartiality, and these external editors must also disclose any conflicts of interest. If the peer-review process deviates from standard procedures, the type of review will be indicated in the article to maintain transparency and accountability.

REVISION DETAILS

Manuscripts that require "minor revision" or "major revision" will receive a decision letter from the Editor-in-Chief, which includes the reviewers' and editors' comments, along with a deadline for resubmission. Authors must submit a revised manuscript and a detailed "Response to the Reviewers" document, which addresses each comment individually. The response should explain the revisions made and specify the corresponding line numbers in the manuscript. An annotated version of the manuscript highlighting the changes must also be provided. Revised manuscripts must be submitted within the deadline specified in the decision letter. Failure to meet the deadline may result in the rejection of the revision. If additional time is needed, authors should request an extension before the original deadline expires.

AUTHORSHIP CRITERIA

Authors of submissions reporting research findings must meet all four criteria established by the International Committee of Medical Journal Editors (ICMJE):

  1. Substantial contributions to the conception or design of the work or the acquisition, analysis, or interpretation of data for the work;
  2. Drafting the work or revising it critically for important intellectual content;
  3. Final approval of the version to be published;
  4. Agreement to be accountable for all aspects of the work, ensuring that questions related to the accuracy or integrity of any part are appropriately investigated and resolved.

Before submission, authors should determine who qualifies for authorship and in what order authors will be listed. The editors of the Inönü University Journal of Culture and Art do not resolve authorship disputes. Any changes to the number or order of authors after the initial submission must be explained in writing to the Editor-in-Chief. The editors reserve the right to refer any authorship irregularities to the research officer or appropriate academic ethics authority at the institution or employer of the first or corresponding author.

Authors may use CRediT (Contributor Roles Taxonomy) to provide information about individual contributions at the time of submission.


Declaration of Interests

Any potential financial or non-financial competing interests, including relationships with editorial associations, commercial editing companies, medical communications companies, or other organizations interested in the submission, must be disclosed at the end of the manuscript, just before the References section.

Funding Information

All sources of funding must be acknowledged at the end of the manuscript. Authors should specify the role of the study sponsor(s), if applicable, in the study design, data collection, analysis, interpretation, report writing, and the decision to submit the manuscript for publication. If the funding source had no involvement in these areas, the authors should clearly state this.

The Role of Artificial Intelligence (AI) in Manuscript Preparation

İnönü University Journal of Culture and Art follows the Committee on Publication Ethics (COPE) guidelines regarding the use of AI and AI-assisted technologies in manuscript preparation. Authorship entails responsibilities that only humans can fulfill, and authors are accountable for the originality and integrity of their work.

AI tools may be used for language editing; however, their use must be explicitly acknowledged in the manuscript. AI cannot be listed as an author, as authorship requires intellectual contributions, critical reasoning, and accountability—elements that AI cannot provide. Maintaining these standards is essential to preserving the quality and originality of published research.

Post-Publication Correction Requests and Retractions Policy

All post-publication correction requests are subject to editorial review. The Editorial Board evaluates the necessity and appropriateness of corrections based on the nature of the error, its impact on the article, and the supporting evidence. If approved, the correction will be made in the journal’s archive. The journal follows the COPE guidelines.

Article Withdrawal (Pre-Publication)

Withdrawal applies only to articles in press, which are early versions of articles that may contain errors, accidental duplicate submissions, or ethical violations (e.g., multiple submissions, fraudulent data, or plagiarism). Withdrawn articles will have their HTML and PDF content removed, replaced by a statement indicating the withdrawal and linking to the journal’s withdrawal policy.

Article Retraction (Post-Publication)

Retractions are issued for serious ethical violations, such as plagiarism, data fabrication, authorship fraud, or publication without co-author consent. Retraction notices include:

  • A formal retraction note titled “Retraction: [Article Title],” published in a subsequent issue.
  • A watermark on the PDF of the original article, marking it as "Retracted."
  • A removal of the HTML version, ensuring transparency in corrections while preserving academic integrity.

Article Removal (Legal & Safety Concerns)

In rare cases, an article may need to be permanently removed from the journal’s online database due to legal issues, court orders, defamation, or significant health risks. While the metadata (title and authors) will be retained, the article content will be replaced with a legal notice explaining the removal.

Article Replacement

If an article poses a serious health risk, authors may request a replacement with a corrected version. In such cases, a retraction notice will be published with a link to the revised article, ensuring a transparent record of updates.


Self-Archiving Policy

Authors are permitted to self-archive their published work on institutional or personal websites, as well as in open-access repositories. When sharing their articles, they must appropriately cite the original publication and include the DOI number. Additionally, authors are encouraged to provide a link to the publisher’s official website, ensuring the authenticity and integrity of the scientific record. The version published on the publisher’s website is considered the definitive version of record.


DISCLAIMER

The views and opinions expressed in published manuscripts belong solely to the author(s) and do not necessarily reflect those of the editors, editorial board, or publisher. The editors, editorial board, and publisher are not responsible for the content of published manuscripts and do not endorse the views expressed within them.

Authors are fully responsible for the accuracy and integrity of their work. While the journal serves as a platform for disseminating research to the scientific community, it does not guarantee the validity of the content.

"İnönü Üniversitesi Kültür ve Sanat Dergisi" ücretsiz bir dergidir.

Editor-in-Chief

Assoc. Prof. Dr. Derya KARABURUN DOĞAN İnönü Üniversitesi, Devlet Konservatuvarı Web

Malatya’da doğdu. 2004 yılında İnönü Üniversitesi Güzel Sanatlar ve
Tasarım Fakültesi Müzik Bölümü Müzikoloji Anabilim Dalı sınavına girerek
burada okumaya hak kazandı. Prof. Ali Sevgi, Prof. Dr. Turan Sağer, Prof. Dr.
Metin Karkın, Prof. Kadir Karkın ve Prof. Server Acim’den Armoni ve Müzik
Teorisi, Prof. Cemal Yurga ve Prof. Dr. Banu Mustan Dönmez’den Müzik
Tarihi, Etnomüzikoloji ve Popüler Müzikler derslerini aldı. 2008 yılında
Müzikoloji Anabilim Dalı 1. si olarak mezun oldu. 2009 yılında İnönü
Üniversitesi Sosyal Bilimler Enstitüsü, Güzel Sanatlar ve Tasarım Fakültesi
Müzik Ana bilim Dalı, Müzik Bilimleri ve Teknolojisi yüksek lisans programı
sınavında 1. olarak bu programda okumaya hak kazandı. 2010 yılında İnönü
Üniversitesi Güzel Sanatlar ve Tasarım Fakültesi Müzik Ana bilim Dalında
Araştırma Görevlisi olarak çalışmaya başladı ve yüksek lisans eğitimini
tamamladı. 2010 yılında İnönü Üniversitesi Sosyal Bilimler Enstitüsü, Müzik
Bilimleri ve Teknolojisi Doktora programında okumaya hak kazandı. 2015
yılında doktora programından mezun oldu. 2016 yılında Dr. Öğr. Üye.
kadrosuna atandı. 2019 yılında ÜAK tarafından Müzikoloji Bilim/Sanat
alanında Doçent unvanı almaya hak kazandı. İnönü Üniversitesi Güzel
Sanatlar ve Tasarım Fakültesi Müzik Bilimleri Anabilim Dalı’nda Müzikoloji
Anabilim Dalı Başkanlığı’nı yürüttü, 2020 yılında İnönü Üniversitesi Devlet
Konservatuarı Türk Halk Müziği Ana Sanat Dalına Doçent olarak atandı.
Aynı kurumda Müdür Yardımcısı ve Türk Halk Müziği Ana Sanat Dalı
Başkanı olarak görevine devam etmektedir.
Müzikoloji, Müzik Sosyolojisi ve Etnomüzikoloji alanlarında ulusal
ve uluslararası bilimsel toplantılarda bildirileri, mesleki ve hakemli dergilerde
makaleleri, uluslararası yayınevlerinde editörlükler ve kitap bölümleri ayrıca
tek ve çok yazarlı “Hatay Arap Ortodoks Müzik Kültürü”; “Etnomüzikoloji
Alan
Çalışmaları-I”
ve
“Türk Siyasal Hayatında Propaganda
Müzikleri” adında üç kitabı bulunmaktadır. 

Creative Arts and Writing, Music, Musicology and Ethnomusicology

Section Editors

Religious Music, Musicology and Ethnomusicology, Composition in Turkish Classical Music, Interpretation in Turkish Classical Music
Prof. Serdar MUTLU İNÖNÜ ÜNİVERSİTESİ, GÜZEL SANATLAR VE TASARIM FAKÜLTESİ
Fine Arts Education, Traditional Turkish Arts, Fine Arts, Ceramic Design
Instructor Seda YALMAN INONU UNIVERSITY, CONSERVATOIRE
Musicology and Ethnomusicology, Music (Other), Turkish Music
Ceramics in Materials Engineering, Fine Arts, Ceramic Design

English Language Editor

Default avatar
Asst. Prof. Dr. Kaan GÜNEY SİVAS CUMHURİYET ÜNİVERSİTESİ
Education
Default avatar
Asst. Prof. Dr. Kaan GÜNEY CUMHURIYET UNIVERSITY
Education

Turkish Language Editor

Default avatar
Doctoral Seda GÜLLER MALTEPE ÜNİVERSİTESİ
Turkish Education, Intellectual Property Law, Corporations and Associations Law, Commercial Law (Other)

Editorial Board

Assoc. Prof. Dr. Hayri AKBUDAK İnönü Üniversitesi, Devlet Konservatuvarı
Music, Musicology and Ethnomusicology
Assoc. Prof. Dr. Mahir MAK Sakarya Üniversitesi, Devlet Konservatuvarı Web
Musicology and Ethnomusicology, Interpretation in Turkish Folk Music
Prof. Dr. Robert ELLİOTT Tennessee State University
Music Cognition, Music Education, Music Technology and Recording, Music (Other)
Assoc. Prof. Dr. Ünsal DENİZ İnönnü Üniversitesi, Devlet Konservatuvarı
Creative Arts and Writing, Music, Musicology and Ethnomusicology

Advisory Board

Prof. Dr. Ünal İMİK İNÖNÜ ÜNİVERSİTESİ, DEVLET KONSERVATUVARI
Music, Musicology and Ethnomusicology, Interpretation in Turkish Folk Music
Prof. Dr. Gülçin YAHYA KAÇAR Ankara Hacı Bayram Veli Üniversitesi Türk Müziği Devlet Konservatuvarı Web
Theories of Music, Musicology and Ethnomusicology, Interpretation in Turkish Folk Music, Interpretation in Turkish Classical Music
Museum Education, Creative Arts and Writing, Fine Arts, Printmaking, Interdisciplinary Art, Painting
Prof. Dr. Nilgün DOĞRUSÖZ DİŞİAÇIK İstanbul Teknik Üniversitesi, Türk Musikisi Devlet Konservatuvarı
Sociology of Music, Theories of Music, Musicology and Ethnomusicology
Prof. Dr. Mustafa Hilmi BULUT Cumhuriyet Üniversitesi, Eğitim Fakültesi Web

Mustafa Hilmi BULUT, müzik eğitimi alanında doktora derecesine sahiptir. Lisans, yüksek lisans ve doktora öğrenciliği dönemlerinde Prof. Dr. Ali Uçan, Prof. Dr. Türev Berki, Prof. Ülkü Özgür, Prof. Dr. Şeyda Çilden, Prof. Feridun Büyükaksoy, Prof. Sadettin Ünal, Prof. Kadir Karkın, Prof. Erdal Tuğcular, Prof. Ali sevgi, Prof. Ertuğrul Bayraktar gibi duayen hocalardan dersler almıştır.
“Keman Eğitiminde Sivas Halayları”, “Şarkı Kutusu I”, “Şarkı Kutusu II”, “Zara Yöresi Müziğinin Etnografisi”, “Müzik Bilimsel Araştırma Yazıları”, “Müzikte Özel Öğretim Yöntemleri”, “Ayrıntılı Makam Tanımlarıyla Sekiz Makamda Dokuz Özgün Beste”, “Mustafa Sağyaşar Biyografisi”, “Piyano Eşlikli Mikrotonal Müzikler“, “Keman Özelinde Çalgı Öğretim Yöntem ve Teknikleri”, “Tülay Canik Biyografisi“, “Sevgi Şarkıları I“, “Cumhuriyetin 100. Yılında 100 Sevgi Şarkısı“ adlı kitaplarına ek olarak “Müziğin Büyüleyici Eğlenceli Gerçekleri” adlı bir çeviri kitap ve çok sayıda kitap bölümü yazarıdır.
İspanya, Estonya, Polonya, Amerika, Portekiz, Ukrayna, Endonezya ve Hong Kong'da bulunan üniversitelerde çeşitli bilimsel etkinliklere katılarak Klasik Türk Müziğinin çeşitli formlarında ud ve vokal bireysel konserler vermiştir. Türkiye Cumhuriyeti’nin 100. Kuruluş Yıldönümü anısına “100. Yılında 100 Sevgi Şarkısı“ adlı projesinden ürettiği 107 sevgi şarkısının yanısıra çocuklar ve gençlere yönelik çok sayıda eğitim müziği bestelemiştir. Eserleri Kültür ve Turizm Bakanlı bünyesindeki “Türkiye Musiki Eseri Sahipleri Meslek Birliği“ tarafından telif koruması altındadır. Cumhuriyet Üniversitesi Marşı‘nın bestecisidir.
Bulut, ABD'de University of South Florida School of Music ve Portekiz'de Politecnico de Castelo Branco – Portugal Polytechnics’de “Kemanın Türk Müziğinde Kullanımı” konulu atölye çalışmalarına katılmış ve misafir öğretim üyesi olarak kısa süreli çalışmalarda bulunmuştur. Dekanlık, dekan yardımcılığı, anabilim dalı başkanlığı, bölüm başkanlığı, bölüm, fakülte ve üniversite yönetim kurulu üyelikleri gibi idari görevlerde bulunmuştur. Yüz yüze ve çevrim içi düzenlemiş olduğu dokuz uluslararası müzik sempozyumunun başkanlığını yapmıştır.
Müzik eğitimi ve müzikoloji alanında SCI başta olmak üzere ulusal ve uluslararası endekslerde taranan bilimsel dergilerde yayımlanmış çok sayıda makale ve sempozyum bildirileri mevcuttur. Çok sayıda araştırma projesini koordine etmiş ve yürütmüştür. İyi derecede İngilizce bilen Bulut, Sivas Cumhuriyet Üniversitesi'nde öğretim üyesi olarak çalışmalarına devam etmektedir.

Music, Composition in Western Classical Music, Musicology and Ethnomusicology, Composition in Turkish Classical Music, Interpretation in Turkish Classical Music
Prof. Dr. Mehmet Safa YEPREM Marmara Üniversitesi Web

He was born in Ankara in 1974. He completed his primary and secondary education in Istanbul. He began his music education in 1983. After studying classical, acoustic, electric, and bass guitar, he entered Marmara University Atatürk Faculty of Education, Department of Music Education in 1991. In addition to classical guitar, he also worked on Flamenco and Latin American guitar music. He composed and produced arrangements for guitar and chamber music. During 1993–1994, he worked with the “TRT Istanbul Youth Choir” and took part in various concerts. He produced his first film music work in 1994 (Wrong Number – Director: İslam Gemici).

In 1995, he graduated from the undergraduate program of Marmara University Atatürk Faculty of Education, Department of Music. In the same year, he passed the master’s entrance exam of Marmara University Institute of Science. He completed his master’s degree in 1998 with his thesis titled “Flamenco Styles and Their Usability in Guitar Education.” He gave many concerts in Türkiye and abroad, and undertook duties in various scientific and artistic events.

He worked as a guitar instructor at various educational institutions. His works titled Suite de la Caloriferre, Midnight, and Café turc were published in Canada by “Les Productions d’OZ” and are performed by many guitarists in various countries. The premiere performance of Café turc was given by the Alexandria Guitar Quartet in Virginia, USA. The same work was also performed by the Nagiwa Guitar Quartet in Japan and the Alsace Guitar Quartet in France; its CD recording was made in the album titled Viaje Al Sur by the Belgian guitar quartet “Quadrant” (2004). This work is also included in the concert programs of the guitar quartet “Ophris,” founded by French guitarists. The first international performance of his four-guitar composition titled Ongozinou Vidi-Widdoo took place in 2013 at Kennesaw State University in Atlanta, USA, by a guitar quartet formed by Turkish and American guitarists, including himself. The same work was performed again at the same university in 2014 by Jackson Brischler, Danielle Moller, Christopher Campbell, and Mary Akerman. In addition, this work was published in 2013 by “secondaprattica.org.” His “Folk Song Arrangements for Classical Guitar” were performed in Serbia by Mustafa Cirika and Milan Mitic. The same works were also performed at the New York Guitar Seminar in 2012. His three-guitar arrangement (1993) of Sadi Işılay’s work titled Sultan-ı Yegâh Sirto was performed in the United States—Atlanta—by the guitar community “Atlanta Guitar Guild” and the Kennesaw State University Classical Guitar Ensemble (2013). Two-guitar arrangements of Ongozinou Vidi-Widdoo and Café turc were performed in Atlanta in 2016 by Mary Akerman and Robert Teixiera. His solo guitar works Gerçeğin Işıkları and Yağmur were performed in 2012 at Kennesaw State University (Atlanta, USA) by guitarist Mary Akerman. At the same university, Gerçeğin Işıkları was also performed in 2012 by guitarist Andrew Eubanks.

During 1997–1998, he prepared the Flamenco music for the “Carmen” production of the Contemporary Ballet Ensemble and performed it together with the “Istanbul Flamenco Ensemble,” which he founded in the same period. The activities of this ensemble ended after the production.

He prepared a study titled Flamenco Sanatı ve Gitar (The Art of Flamenco and Guitar), consisting of a combination of his graduate theses and special composition studies. With this study, he aims to provide a new perspective on basic guitar education by starting from the structure of Flamenco art. He supported this research with an accompanying Video CD project. The first edition of the work was published by “Bemol Müzik Yayınları” in 2001; the expanded second edition in 2003; and the further expanded and revised third edition by the same publisher in 2006.

In 1999, he completed his military service at the Turkish Military Academy in Ankara. In 1999, he produced and hosted a radio program titled “Gitarcının Günlüğü” (The Guitarist’s Diary) on Burç FM. He also participated as a guest artist in many television and radio programs.

The first edition of his repertoire book titled Klasik Gitar için Halk Şarkıları (Folk Songs for Classical Guitar) was published in 2002, and its second edition—supported by a DVD project—was published in 2006 by “Bemol Müzik Yayınları.” Using especially the repertoire of this book, and also other compositions and arrangements he wrote for two guitars, he gave many concerts with guitarist Ali Erim.

In 2000, he began doctoral studies at Marmara University Institute of Social Sciences, Department of Theology, in the Division of Islamic History and Arts. He graduated from this program in 2004 with his dissertation titled “Temple Music Among Istanbul Non-Muslims in Comparison with Turkish Mosque Music.”

His work titled Klasik Gitar için Kompozisyonlar (Compositions for Classical Guitar) was published in 2004 by “Bemol Müzik Yayınları.” His work titled Gitarda Modal Açılımlar ve Akor Yapıları (Modal Expansions and Chord Structures on the Guitar) was published in 2006 by “Fark Yayınları.”

In 2006, he began working as a guitar–piano duo with pianist Gülnur Sayar. With a new stage approach supported by audiovisual technological possibilities, this duo gave many concerts, and in 2010 their album titled Empati, consisting of original works they prepared, was released by “DLR Müzik Yapım.”

In 2007, he was appointed as an Assistant Professor at Istanbul University Faculty of Theology, as a faculty member in the Department of Turkish Religious Music. On January 8, 2008, as a result of the examination conducted by the Interuniversity Board (ÜAK), he received the title of Associate Professor in the field of “Fine Arts,” branch “Music.”

In February 2009, he was appointed to Kocaeli University Faculty of Fine Arts, Department of Music, Division of Musicology. At the same institution, he served as Head of the Department of Music and Head of the Division of Musicology between 2009 and 2012. During his term, he pioneered the establishment of the “Performance Major.” He also served as the general coordinator of many national-level events such as the “1st and 2nd Hereke Guitar Days” and “Instrument Making Days” (concerts, conferences, panels, etc.).

In 2013, his book titled Klasik Gitar İçin İlahiler (Hymns for Classical Guitar) was published by “Bemol Müzik Yayınları.” In the same year, the second edition of Gitarda Modal Açılımlar ve Akor Yapıları was also published by “Bemol Müzik Yayınları.”

In January 2013, he was appointed as an Associate Professor at Marmara University Faculty of Theology, Department of Turkish Religious Music. In September 2013, he received the title of Professor in the same department.

In 2014, his first solo guitar album titled Tebdil-i Mekan was released via digital music platforms, distributed by “Bora Uslusoy Müzik Atölyesi.”

In 2015, he composed the music for the documentary film titled Meşkten Notaya, broadcast on TRT Türk.

In 2016, the album titled Bebeğime Ninniler (Lullabies for My Baby), which he prepared with Gönül Kazancı Yeprem, was released on digital music platforms, distributed by “Eğlence Fabrikası.”

In 2018, the scores of his compositions and arrangements titled Tebdil-i Mekan (for solo guitar) and Nihavend Longa (for two guitars) were published by “Müzik Eğitimi Yayınları” in the compilation book titled Klasik Gitar için Popüler Dağarcık II, prepared by Yakup Kıvrak. In the same year, his solo guitar arrangement of the hymn titled Severim Ben Seni Candan İçeri was recorded by guitarist Tolgahan Çoğulu in the album titled Microtonal, released by “Ahenk Müzik” (2018).

In 2019, his arrangements for two guitars titled Ali Reis’in Takası and Kanatları Gümüş Yavru Bir Kuş were published in the compilation book titled Klasik Gitar Düetleri Kitap 2, prepared by Kubilay Can and Aylin Can Tüzer and published by “Gece Kitaplığı.”

In 2020, his solo guitar album titled Mini Mini Kızıma Ninni Oyun Dans was released on digital music platforms by Eğlence Fabrikası.

Also in 2020, his solo and duo guitar works written between 1994 and 2009 were recorded by guitarists Behzat Cem Günenç and Onur Yılmaz in the album titled Music of Yeprem Vol-1 and released by “ACM Prodüksiyon.”

In 2021, the video-based educational project titled Türk Müziğinde Solfej Çalışmaları (Solfege Studies in Turkish Music), which he prepared together with Prof. Dr. Başak Harmancı, began to be published on the digital media platform YouTube. With its multi-faceted and flexible approach to musical practice, this project aims to bring a holistic new perspective to Turkish music education.

In 2022, his solo guitar single album titled Dua was released on digital music platforms by Eğlence Fabrikası.

In 2024, his solo guitar single album titled T(Adımlık) was released on digital music platforms by Eğlence Fabrikası.

He currently continues his academic work at Marmara University Faculty of Theology, Department of Turkish Religious Music.

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