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Mustafa Mert Atalar Asst. Prof. Dr. MİMAR SİNAN GÜZEL SANATLAR ÜNİVERSİTESİ
Publication 4 Review 7 CrossRef Cited 1 TR Dizin Cited 1
4 Publication
7 Review
1 CrossRef Cited
1 TR Dizin Cited
0000-0002-4313-6579

Research Fields

Cinema History Cinema Studies Film Restoration Filmmaking and Directing Cinema Theories Cinema and Aesthetics Cinema-Tv Production and Management

Institution

MİMAR SİNAN GÜZEL SANATLAR ÜNİVERSİTESİ

Publications

Tekerrür, Adalet ve Kardeşlik Kavramları Işığında Kieslowski'nin Kırmızı'sı
Authors: Mustafa Mert Atalar
Published: 2023 , Kurgu
DOI: -
FAVORITE 0 TOTAL DOWNLOAD COUNT 793

0

793

THE IMPORTANCE OF DIGITAL FILM RESTORATION IN PRESERVATION OF CINEMATOGRAPHIC HERITAGE
Authors: Mustafa Mert Atalar
Published: 2023 , Art-e Sanat Dergisi
DOI: 10.21602/sduarte.1267395
FAVORITE 0 TOTAL DOWNLOAD COUNT 1091

0

1091

The Heroine of the Liberation of Izmir in Turkish Cinema – Fato: Independence or Death (1951)
Authors: Mustafa Mert Atalar
Published: 2022 , Yedi
DOI: 10.17484/yedi.1144342
FAVORITE 0 TOTAL DOWNLOAD COUNT 1766

0

1766

THE PHILOSOPHY OF FREEDOM AND CAPTIVITY - THE CINEMATOGRAPHY OF PHILOSOPHY: KIESLOWSKI'S BLUE
Authors: Mustafa Mert Atalar
Published: 2022 , sinecine: Journal of Film Studies
DOI: 10.32001/sinecine.906968
FAVORITE 0 TOTAL DOWNLOAD COUNT 865

0

865

Articles published in
Art-e Sanat Dergisi
Art-e Sanat Dergisi
Kurgu
Kurgu
sinecine: Journal of Film Studies
sinecine: Journal of Film Studies
Yedi
Yedi

Reviews

Görünüm
Görünüm
Gümüşhane Üniversitesi İletişim Fakültesi Elektronik Dergisi
Gümüşhane Üniversitesi İletişim Fakültesi Elektronik Dergisi
International Journal of Cultural and Social Studies (IntJCSS)
International Journal of Cultural and Social Studies (IntJCSS)
Kayseri University Journal of Social Sciences
Kayseri University Journal of Social Sciences
SineFilozofi
SineFilozofi
Yedi
Yedi

Publications

THE PHILOSOPHY OF FREEDOM AND CAPTIVITY - THE CINEMATOGRAPHY OF PHILOSOPHY: KIESLOWSKI'S BLUE
Authors: Mustafa Mert Atalar
Published: 2022 , sinecine: Journal of Film Studies
DOI: 10.32001/sinecine.906968
CITED 1 FAVORITE 0 TOTAL DOWNLOAD COUNT 865

1

0

865

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