Meral Serarslan profile image
Meral Serarslan Prof. Dr. SELÇUK ÜNİVERSİTESİ
Publication 12 Review 33 CrossRef Cited 8
12 Publication
33 Review
8 CrossRef Cited

Research Fields

Cinema Studies

Institution

SELÇUK ÜNİVERSİTESİ

Popular Publications

Schopenhauer ve Nietzsche Nihilizmi Sarkacında Dövüş Kulübü Filminin Çözümlemesi
Authors: Cenk Ateş , Meral Serarslan
Published: 2019 , SineFilozofi
DOI: 10.31122/sinefilozofi.515297
CITED 0 FAVORITE 2 TOTAL DOWNLOAD COUNT 7359

0

2

7359

From Layers of Reality to Third Cinema: I, Daniel Blake
Authors: Azime Cantaş , Meral Serarslan
Published: 2021 , Journal of Selcuk Communication
DOI: 10.18094/josc.814759
CITED 3 FAVORITE 2 TOTAL DOWNLOAD COUNT 1770

3

2

1770

The Deconstruction Analyses of M. Butterfly
Authors: Zühre Canay Güven , Meral Serarslan
Published: 2018 , SineFilozofi
DOI: 10.31122/sinefilozofi.358193
CITED 3 FAVORITE 1 TOTAL DOWNLOAD COUNT 5068

3

1

5068

LOOKING ON THE AFRICA CINEMA IN THE NEO-COLONIALIST CONTEXT
Authors: Selim Beyazyüz , Meral Serarslan
Published: 2019 , Journal of Selcuk Communication
DOI: 10.18094/josc.596307
CITED 0 FAVORITE 1 TOTAL DOWNLOAD COUNT 2467

0

1

2467

Audience Approaches in Reflexive Digital Media Narratives: An Example of a ”Supporting Actor" Digital Platform Series
Authors: Meral Açıkgöz , Meral Serarslan
Published: 2025 , Journal of Selcuk Communication
DOI: 10.18094/josc.1585326
CITED 1 FAVORITE 1 TOTAL DOWNLOAD COUNT 414

1

1

414

Publications

RELATOS SALVAJES FİLMİNİN SCHOPENHAUER’DAN FOUCAULT’YA İSTEME VE İKTİDAR KAVRAMI BAĞLAMINDA ANALİZİ
Authors: Sevim Can Erdal , Meral Serarslan
Published: 2025 , Soli Dergi
DOI: -
FAVORITE 0 TOTAL DOWNLOAD COUNT 54

0

54

Audience Approaches in Reflexive Digital Media Narratives: An Example of a ”Supporting Actor" Digital Platform Series
Authors: Meral Açıkgöz , Meral Serarslan
Published: 2025 , Journal of Selcuk Communication
DOI: 10.18094/josc.1585326
FAVORITE 1 TOTAL DOWNLOAD COUNT 414

1

414

Cinema As a Means of Legitimizing Ideology and Forming Public Opinion
Authors: Mustafa Güngör , Meral Serarslan
Published: 2024 , Konya Sanat
DOI: 10.51118/konsan.2024.55
FAVORITE 0 TOTAL DOWNLOAD COUNT 660

0

660

The view of political knowledge gap among social media users in Türkiye
Authors: Çiçek Topçu , Meral Serarslan
Published: 2024 , Connectist: Istanbul University Journal of Communication Sciences
DOI: 10.26650/CONNECTIST2023-1056578
FAVORITE 0 TOTAL DOWNLOAD COUNT 513

0

513

Kadın Yaşamak İster: Antonia’nın Yazgısı Filminde Kadının “Aşkın” Varoluşu
Authors: Fazilet Lekesiz , Meral Serarslan
Published: 2022 , SineFilozofi
DOI: 10.31122/sinefilozofi.984497
FAVORITE 0 TOTAL DOWNLOAD COUNT 1261

0

1261

On the Existence and Destruction Existence of Self-Consciousness in Artificial Intelligence Dualism
Authors: Mehmet Ali Sevimli , Meral Serarslan
Published: 2021 , SineFilozofi
DOI: 10.31122/sinefilozofi.810857
FAVORITE 0 TOTAL DOWNLOAD COUNT 2767

0

2767

From Layers of Reality to Third Cinema: I, Daniel Blake
Authors: Azime Cantaş , Meral Serarslan
Published: 2021 , Journal of Selcuk Communication
DOI: 10.18094/josc.814759
FAVORITE 2 TOTAL DOWNLOAD COUNT 1770

2

1770

LOOKING ON THE AFRICA CINEMA IN THE NEO-COLONIALIST CONTEXT
Authors: Selim Beyazyüz , Meral Serarslan
Published: 2019 , Journal of Selcuk Communication
DOI: 10.18094/josc.596307
FAVORITE 1 TOTAL DOWNLOAD COUNT 2467

1

2467

Sİinemada Erdemli Olmak: Godard ve Wit Filmi Üzerine
Authors: Çiçek Topçu , Meral Sersarslan
Published: 2019 , Galatasaray University Journal of Communication
DOI: 10.16878/gsuilet.546650
FAVORITE 0 TOTAL DOWNLOAD COUNT 5204

0

5204

Schopenhauer ve Nietzsche Nihilizmi Sarkacında Dövüş Kulübü Filminin Çözümlemesi
Authors: Cenk Ateş , Meral Serarslan
Published: 2019 , SineFilozofi
DOI: 10.31122/sinefilozofi.515297
FAVORITE 2 TOTAL DOWNLOAD COUNT 7359

2

7359

The Deconstruction Analyses of M. Butterfly
Authors: Zühre Canay Güven , Meral Serarslan
Published: 2018 , SineFilozofi
DOI: 10.31122/sinefilozofi.358193
FAVORITE 1 TOTAL DOWNLOAD COUNT 5068

1

5068

Arketipsel Eleştiri Bağlamında Tender Mercies Filminde Bireyleşme
Authors: Murat Küçükhemek , Meral Serarslan
Published: 2016 , SineFilozofi
DOI: 10.31122/sinefilozofi.682594
FAVORITE 0 TOTAL DOWNLOAD COUNT 2090

0

2090

Articles published in
Connectist: Istanbul University Journal of Communication Sciences
Connectist: Istanbul University Journal of Communication Sciences
Galatasaray University Journal of Communication
Galatasaray University Journal of Communication
Journal of Selcuk Communication
Journal of Selcuk Communication
Konya Sanat
Konya Sanat
SineFilozofi
SineFilozofi
Soli Dergi
Soli Dergi
Editorial Board Memberships
Journal of TESAM Academy
Journal of TESAM Academy
Kocatepe Art, Design and Communication Journal
Kocatepe Art, Design and Communication Journal
SineFilozofi
SineFilozofi
Soli Dergi
Soli Dergi

Reviews

Anadolu Üniversitesi Sosyal Bilimler Dergisi
Anadolu Üniversitesi Sosyal Bilimler Dergisi
ARTS: Artuklu Journal of Arts and Humanities
ARTS: Artuklu Journal of Arts and Humanities
İletişim Kuram ve Araştırma Dergisi
İletişim Kuram ve Araştırma Dergisi
İnönü University Faculty of Communication Electronic Journal (INIF E-Dergi)
İnönü University Faculty of Communication Electronic Journal (INIF E-Dergi)
Journal of Erciyes Communication
Journal of Erciyes Communication
Journal of Selcuk Communication
Journal of Selcuk Communication
Journal of the Human and Social Science Researches
Journal of the Human and Social Science Researches
ODU Journal of Social Sciences Research
ODU Journal of Social Sciences Research
sinecine: Sinema Araştırmaları Dergisi
sinecine: Sinema Araştırmaları Dergisi
SineFilozofi
SineFilozofi
Uşak Üniversitesi Sosyal Bilimler Dergisi
Uşak Üniversitesi Sosyal Bilimler Dergisi
Abant Sosyal Bilimler Dergisi
Abant Sosyal Bilimler Dergisi
Kurgu
Kurgu
The Journal of Selcuk University Social Sciences Institute
The Journal of Selcuk University Social Sciences Institute
Türkiye Film Araştırmaları Dergisi
Türkiye Film Araştırmaları Dergisi

Publications

Audience Approaches in Reflexive Digital Media Narratives: An Example of a ”Supporting Actor" Digital Platform Series
Authors: Meral Açıkgöz , Meral Serarslan
Published: 2025 , Journal of Selcuk Communication
DOI: 10.18094/josc.1585326
CITED 1 FAVORITE 1 TOTAL DOWNLOAD COUNT 414

1

1

414

From Layers of Reality to Third Cinema: I, Daniel Blake
Authors: Azime Cantaş , Meral Serarslan
Published: 2021 , Journal of Selcuk Communication
DOI: 10.18094/josc.814759
CITED 3 FAVORITE 2 TOTAL DOWNLOAD COUNT 1770

3

2

1770

Sİinemada Erdemli Olmak: Godard ve Wit Filmi Üzerine
Authors: Çiçek Topçu , Meral Sersarslan
Published: 2019 , Galatasaray University Journal of Communication
DOI: 10.16878/gsuilet.546650
CITED 1 FAVORITE 0 TOTAL DOWNLOAD COUNT 5204

1

0

5204

The Deconstruction Analyses of M. Butterfly
Authors: Zühre Canay Güven , Meral Serarslan
Published: 2018 , SineFilozofi
DOI: 10.31122/sinefilozofi.358193
CITED 3 FAVORITE 1 TOTAL DOWNLOAD COUNT 5068

3

1

5068

Popular Publications: It is determined automatically by the researchers doing research in DergiPark according to the statistics of being added to the favorites. CrossRef Cited: The citations shown in DergiPark are drawn from CrossRef. For this, the cited and cited articles must be registered in CrossRef (DOI number). ^: Citation numbers are reflected in the system by DergiPark at certain periods.